AOS 4 MUSIC FUSION
- Created by: asharathour1
- Created on: 17-12-18 21:30
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- FUSIONS- Release
- Context
- Afro-Celt Sound System
- AFRO
- Kora (type of harp)
- Djembe (goblet shaped drum)
- Talking drum (mimics the tone patterns of speech)
- CELT
- Low whistle
- Accordian
- Bodhrán (hand held drum)
- Fiddle
- Hurdy-Gurdy (mechanical violin)
- Uilleann pipes (irish bagpipes)
- AFRO
- Sound System
- Male and female vocals
- Synthesiser and samples
- Electric piano, drum machine
- Shaker and tambourine
- Various digital effects
- Afro-Celt Sound System
- Tempo, Metre and Rhythm
- Opening section- Free time
- Moderatley fast tempo- 4/4
- Slightly SWUNG rhythm
- Syncopation
- Some instrumental solos and loops
- Rapid short notes
- TRIPLETS in the low whistle solo and the fiddle loops
- Repeating loops create the effect of OSTIANATOSor RIFFS
- Figure 4 above final rest in loops 13, 17, 24, 26 and 28- shows rest lasts 4 bars
- Tonality and Harmony
- Modal
- Without B natural (leading note of C minor)
- Anchored to C by drones
- Repeating patterns based on a chord of C minor
- Without B natural (leading note of C minor)
- Mainly diatonic
- Slow harmonic pace
- Static harmony
- Modal
- Texture
- Mainly homophonic
- Accompan-iment featuring a LAYERED texture
- Structure
- 3 verses
- Intro
- Solos (instrumental loops)
- Outro
- Solos (instrumental loops)
- Intro
- Mainly 8- bar phrases
- Intro
- Verse 1
- Verse 2
- Solos
- Verse 3
- Build
- Outro
- Female vocals
- Fade out, electric piano loops
- Long cresendo
- Thickening texture
- Isolated background notes, (G falling to C)
- Outro
- Female vocals, previous solos continue
- Build
- Uillean pipes - Whistle (8ve higher)
- Hurdy- gurdy - Synth pad - talking drums - Bodhrán
- Verse 3
- Double stopping
- Male vocals SIMILAR to verse 1- RISES HIGHER IN PITCH
- Solos
- Female vocals
- Verse 2
- Synth drone - panned left and right
- Talking drum
- Verse 1
- 3 verses
- Melody
- Mainly modal (Aeolian mode on C)
- VERSE 1
- 5 pitches of PENTATONICMINOR
- C - E flat - F - G - B flat
- 5 pitches of PENTATONICMINOR
- REPETITIVE (similar 2 bar phrases, falling from G to C)
- Introductory vocal solo (falling melody)
- Male voice - rises to a top C (a 10th, then a 13th)
- Syllabic
- Female vocal - narrow range (6th) and a low tessitura
- Sampled
- Reverberation
- Context
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