Chapter 5
- Created by: Angel9119
- Created on: 21-02-19 01:02
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- Chapter 5 - Renaissance
- Dates
- (1400-1600)
- Adjectives
- Means rebirth, revival of interest in the humanistic values of classical Greece and Rome.
- Focus on individual achievement
- Real world V Religion
- Travel and printed books = cultures
- Smooth, less contrast, imitations (form of polyphony)
- Means rebirth, revival of interest in the humanistic values of classical Greece and Rome.
- Mass
- Renaissance Mass, roman catholic 1400s, long, polyphonic, 5 SECTIONS:
- KYRIE
- GLORIA
- CREDO
- SANCTUS
- AGNUS DEI
- Renaissance Mass, roman catholic 1400s, long, polyphonic, 5 SECTIONS:
- Motet
- Four voice parts, (alto, soprano, bass and tenor) sensitive and expressive words, small choir, latin.
- Madrigal
- Secular voice pieces unaccompanied, Italy, desire to match words with music, 16th, chordal texture, imitative polyphony and word-painting.
- John Dunstable & Guillaume du Fay
- Early renaissance
- Polyphonic masses
- Classic latin motets
- Gentle love secular songs.
- Josquin des Prez
- Masses, motets and secular, old plainchant, SIMPLE IMITATION, OVERLAPPING CADENCES AND PAIRED IMITATION
- Palestrina
- Catholic church issue with polyphony, too elaborate and complicated. Palestrina ideal composer. Counterpoint and homophony is balanced. LEAPS SHOULD BE SMALL, RHYTHM IS GENTLE AND NO GAPS BETWEEN NOTES
- Thomas Morley
- Madrigal, England, sole permission to print music.
- Word-painting
- Used in Motets and Madrigals
- Dates
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