- Listening becomes 'acousmatic' (you don't see the performer) (Schaffer, 2004)
- To compensate, music becomes more 'emotive', 'conative' (addressed to the listener) and 'Phatic" (Aimed at prevoking a reaction) (Jakobson 1986)
- Repeated listening - can attend more closely to nuances and timbre of pitch and rhythm
(Not always easily recalled, but very easily recognised)
- Lead to record collecting and stockpiling
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