Drama Knowledge

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W R I Y O D N W T K T O S I W L L V S Y H
H W G K O X S X R B E P O A E O S R R S E
S E W K F B R F E C N P C O A V C H O M C
H R E B X H O J P M A H I G M P X I T C J
R T K M M Q T K E A T Y A Y S V E S C U F
C A W N Q F C K R A U S L R J Q H T A W U
R E Y F R C A P T U R I F C P K I O F S U
A H G A K T F E O S A C A M P E O R L A P
G T N S N H L R I L L A C H Y B U I A M Y
K M D M J E A F R Q I L T M Q N V C C V U
C I I A C V R O E H S T O N B A D A I H X
J T R F I I U R B F M H R B Y P V L T T V
I A X Y H L T M D Y F E S O Y V K F I S T
Y B U H L W L A W V O A V A M U H A L C M
T R U I B O U N R H G T U Y C B R C O D W
E E E Y E I C C O O I R F I P S N T P N D
E V B M V E Q E N R K E F E Q H Y O A U P
G V B G Y E O A R O F B Q A P F N R Q U T
Q U H I E X O I N T E N T I O N S S P A S
E W K P L R U B M N E F N O Q I J A G N Y
U B L G U B J F X E Y O D A U P P M B Y Q

Clues

  • A stock of plays that a performer or company knows or has written. (10)
  • Documented theatre in which plays are constructed from the precise words spoken by people interviewed about a particular event or topic. (8, 7)
  • events that coincided with the time of writing; (10, 7)
  • political and legal events/changes that may have impacted upon the work. (9, 7)
  • The individual sharing of a theatrical production on one specific occasion. (11)
  • the purpose of their work, i.e., what they are trying to achieve and make the audience think/feel. We often try to consider a practitioner’s creative intentions. These are often communicated through the themes/issues in the work (10)
  • Theatre which relies on the performers' physical motion rather than, or combined with, text to convey storytelling and character emotions (8, 7)
  • Theatre that attempts to create an illusion of reality through a range of dramatic and theatrical strategies. (10)
  • what we know about people at the time of writing; (6, 7)
  • what we know about the way people lived and behaved at the time of writing; (8, 7)

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