The Pieces of Study summary

Pavane and Gelliard by Holborne

• Performed at home by normal people
• Written for playing NOT for dancing, even though it has a dancing feel
• Ends on a Tierce de Picardie
• LateRenaissance
• No specific instruments
• Uses typical renaissance features
• All chords are root or 4th
• All suspensions are on the beat, this would create dissonance
• False relations add to the sad nature
• Lots of immitation
• Use of Hemiola

Piano Quintet in F minor by Brahms

• Romantic Period
• Potraying emotions (not nesserily love)
• Used wide range of dynamics and varied instruments
• Used extremes of loud to soft and high to low
• Extended pharses
• Played in concert by proffessionals
• Brahms studied Baroque counterpoints (polyphonic texture)
• Used an antiphony
• Brahms use of motifs was influenced by Beethoven
• Ternery Structure
  • scherzo
  • trio
  • scherzo