Othello Genre Conventions and Context

?
  • Created by: ezziemc
  • Created on: 03-12-17 14:53
Tragic Flaw
Shakespearean tragedy tends to be characterized by this. It is the internal imperfection in the hero that brings about his downfall
1 of 30
Death of the principle character
In Elizabethan practice Tragedy must end in a tremendous catastrophe involving this character
2 of 30
Main focus
Shakespeare uses the fall of a notable person as the main focus in his tragedies
3 of 30
Othello as a Tragic Hero
He is a TH because of his hubris (pride), self centered nature and gullibility
4 of 30
The Main Character
is brought to ruin or suffers extreme sorrow. Especially as a consequence of tragic flaw, moral weakness, or inability to cope with unfavorable circumstances
5 of 30
Exposition
This establishes setting, sets the tone and mood of the play, introduces key characters but not the tragic hero
6 of 30
Pattern 1 of Shakespearean tragedies
Lack of control
7 of 30
Pattern 2
Miscommunication
8 of 30
Pattern 3
Increasing urgency
9 of 30
Pattern 4
Murder
10 of 30
Pattern 5
Confrontation of the Hero
11 of 30
Pattern 6
Realization of Tragic Flaw
12 of 30
Pattern 7
Death of Hero
13 of 30
Setting
Use of night time e.g. in A1 SC1, establishes the genre of tragedy as well as disorder and chaos
14 of 30
Venice
Had a very rigid class structure and outsiders are demonized
15 of 30
Iago's has class envy of Cassios' promotion by preferment
The commoners of an Elizabethan audience could relate to Iago and feel empathy as they know that people with status are more successful in society
16 of 30
"an old black ram" pg9
Renaissance audience would not be shocked by the animalistic imagery. Fear of outsiders.
17 of 30
Patriarchal context
in Renaissance period women were seen as possessions
18 of 30
Domestic Vs Political Sphere
Shakespeare shows the public and private collide and chaos is the result
19 of 30
How the play is (weird) atypical
The first black hero which departs from theatrical convention. Challenges cultural stereotypes of all black people being lustful, sinful savages
20 of 30
How the play is atypical
Evil Iago lives! Typically the villain dies for CATHARSIS , so order can be restored
21 of 30
Desdemona
She deviates from the audiences expectations of her
22 of 30
The move to Cyprus
Cyprus is a chaotic country which foreshadows the chaos to come. This increases PATHOS (pity and fear) in Othello due to false hope
23 of 30
Venice to Cyprus
Rational thought to chaos and disorder. Cyprus is hotter too=short tempered characters
24 of 30
Women are objectified by men
this is a pattern of language. Links to The Fall; women are vilified due to Eve's lack of control
25 of 30
Renaissance and Evil
To a Ren audience, you can physically see if someone is evil but Shakespeare subverts this as Iago's dishonesty is hidden
26 of 30
Jacobean's
View Othello with social prejudice
27 of 30
Class structure is subverted
A typical convention of tragedy
28 of 30
Moor's
Were seen as unnatural, obsessed with sex, passionate and used magi
29 of 30
Othello's ancestry
Is foregrounded as the audience will wonder what he will do next
30 of 30

Other cards in this set

Card 2

Front

In Elizabethan practice Tragedy must end in a tremendous catastrophe involving this character

Back

Death of the principle character

Card 3

Front

Shakespeare uses the fall of a notable person as the main focus in his tragedies

Back

Preview of the back of card 3

Card 4

Front

He is a TH because of his hubris (pride), self centered nature and gullibility

Back

Preview of the back of card 4

Card 5

Front

is brought to ruin or suffers extreme sorrow. Especially as a consequence of tragic flaw, moral weakness, or inability to cope with unfavorable circumstances

Back

Preview of the back of card 5
View more cards

Comments

No comments have yet been made

Similar English Language & Literature resources:

See all English Language & Literature resources »See all Othello resources »