Edexcel Music AS 2016 'Summertime'

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  • Created by: weldon98
  • Created on: 15-05-16 16:00
Melody - played in the Clarinet in Bar 8 (minor thirds)
BluesNotes
1 of 40
Melody - used in the melody line e.g. bars 7-10
MinorPentatonicScale
2 of 40
Melody - vocal melody structure
ABAC
3 of 40
Melody - Mixture of ----- (Bars 7-8) and --------- movement
LeapsChromatic
4 of 40
Melody - Interval of a ----- is central to the shapes of the melody (Bars 7-8)
Third
5 of 40
Rhythm - Cross rhythms involving -------- in quavers and crochets support the lullaby feel (Bar 12 in the instruments)
Triplets
6 of 40
Rhythm - Rhythmic flexibility of ---- --- ----- (Bars 35-37)
JazzandBlues
7 of 40
Rhythm - Music off-beat feel. Used in vocals (e.g. Bar 31)
Syncopation
8 of 40
Rhythm - Notated as ---- ----- but mostly feels like a 4/4 metre throughout
AllaBreve
9 of 40
Rhythm - ----- -------- matches the rocking motion of the lullaby in orchestra (Bar 18)
MinimMovement
10 of 40
Harmony - ----- notes open and close the piece (Bars 3-6 and 44-46)
Pedal
11 of 40
Harmony - much --------- colouration
Chromatic
12 of 40
Harmony - ------- bar blues sequence used (e.g. Bars 7-22)
Sixteen
13 of 40
Harmony - Parallel movement of ----- ----- chords
MinorSixth
14 of 40
Harmony - Avoidance of conventional ------- cadences
Perfect
15 of 40
Structure - The beginning from bars 1-6
Introduction
16 of 40
Structure - follows the introduction
VerseOne
17 of 40
Structure - follows Clue 17
VerseTwo
18 of 40
Structure - the end of the piece
Coda
19 of 40
Structure - the vocal melody structure
ABAC
20 of 40
Texture - ----- Notes (Bars 3-7)
Pedal
21 of 40
Texture - Mainly ----------
Homophonic
22 of 40
Texture - Briefly ---------- in the octaves playing in the passage at the beginning (Bars 6-7)
Monophonic
23 of 40
Texture - Violin --------- line (Bar 28)
Obbligato
24 of 40
Texture - ----- chords (Bars 7-24)
Block
25 of 40
Style - A -------
Lullaby
26 of 40
Style - One of the most ------- songs of all time
Popular
27 of 40
Style - From a '---- -----'
FolkOpera
28 of 40
Style - Extremely influenced by -------- (-) -------- musical styles
AfricanAmerican
29 of 40
Style - Influenced by --- --- -----
TinPanAlley
30 of 40
Tonality - - ----- with no modulations
BMinor
31 of 40
Tonality - Played in the Clarinet in Bar 8 (minor thirds)
BluesNotes
32 of 40
Tonality - See Clue 12 for the first word of this Clue. Song is rich with --------- --------- (e.g. Bar 12)
ChromaticHarmonies
33 of 40
Tonality - ---------- --- ------- minor scale shapes (e.g. Bars 7-10)
PentatonicAndNatural
34 of 40
Tonality - Non(-)--------- progressions
Cadential
35 of 40
Forces - Fairly limited range for an opera of an ------- (F#-F#)
Octave
36 of 40
Forces - Vocals ------ the string harmonies at a higher pitch (Bar 32)
Double
37 of 40
Forces - ---- string textures from main part of accompaniment throughout
Lush
38 of 40
Forces - Vocal --------- --- ------------- (e.g. Bar 22)
GlissandiAndAcciaccaturas
39 of 40
Forces - ---------- ----- of an octave to and from a high 'B' near the end (Not written on the actual score)
PortamentoSlide
40 of 40

Other cards in this set

Card 2

Front

Melody - used in the melody line e.g. bars 7-10

Back

MinorPentatonicScale

Card 3

Front

Melody - vocal melody structure

Back

Preview of the front of card 3

Card 4

Front

Melody - Mixture of ----- (Bars 7-8) and --------- movement

Back

Preview of the front of card 4

Card 5

Front

Melody - Interval of a ----- is central to the shapes of the melody (Bars 7-8)

Back

Preview of the front of card 5
View more cards

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