Brandenburg Concerto No.5. 4.5 / 5 based on 2 ratings ? MusicBaroque Concertos.GCSEEdexcel Created by: cieran_10Created on: 10-03-18 11:07 When was Brandenburg Concerto published? 1850. 1 of 52 When were the concertos written? 1721. 2 of 52 What is type of concerto is it? A concerto grosso. 3 of 52 Give the concertino/solo instruments in the concertos. (3.) Flute, violin and the harpsichord. 4 of 52 Give the ripieno instruments in the concerto. (3.) Violin, viola, cello, violone. 5 of 52 What can the solo parts be described as? Virtuosic. 6 of 52 What does the harpsichord partake in, when it is not being used as a concertino instrument? The basso continuo. 7 of 52 What type of bass does the harpsichord play, when part of the basso continuo? A figured bass. 8 of 52 What OTHER instrument would play the basso continuo? The cello or double bass. 9 of 52 What is the structure of the song? Ternary form. 10 of 52 What is the structure of the A sections? Fugato. 11 of 52 What is the structure of the B sections? Ritornello. 12 of 52 What is the key of the A sections? D major. 13 of 52 What is the key of the B section? B minor. 14 of 52 What is used as a part of the fugato in the A sections? Imitation. 15 of 52 What are ritornelli used in the B sections' ritornello? They are little returns from the A section. 16 of 52 How does the final A section differ from the first? The opening D-major chord in the second A section. 17 of 52 What does da capo instruct a musician to do? Go back to the start of the music. 18 of 52 What is the specific name of this ternary form? Da capo form. 19 of 52 What is the MAIN key of the movement? D major. 20 of 52 What does Bach rely on to contrast the music? Texture. 21 of 52 What key does parts of the A sections modulate to? A major. 22 of 52 What modulations does the B section? (2.) To A major and F sharp minor. 23 of 52 Give a word to describe the melody. Conjunct. 24 of 52 What is the opening melody of section B based on? The subject. 25 of 52 What inspires the rippling quaver accompaniment to the flute in section B? The accompaniment in section A. 26 of 52 Give two ornaments that Bach uses in the movement. Trills and appoggiaturas. 27 of 52 What melodic technique is frequently used by Bach? Sequencing. 28 of 52 What does the fugal exposition give to all of the instruments? A part of the significant melody to play. 29 of 52 What is the tempo throughout the piece? Allegro. 30 of 52 What is metre is the movement written in? 2/4. 31 of 52 What does it seem the metre, of the movement, is and why? 6/8; of the triplets. 32 of 52 What is the dotted quaver, semiquaver pattern played as for Baroque only? A crotchet, quaver rhythm. 33 of 52 What feel do the triplets give the piece? A gigue feel. 34 of 52 What is the texture of the WHOLE piece, except from the cadenzas (when it is monophonic?) Contrapuntal. 35 of 52 When does a stretto/close imitation begin? Bar 64/just before the end of the A section. 36 of 52 When does the violone play? During the tutti sections of the music. 37 of 52 What instrument does the violone double? The cello. 38 of 52 How are the flute and solo violin sometimes similar to one-another? (2.) When they double each other or play in parallel thirds. 39 of 52 Give an example of when the flute and solo violin double each other. Bars 33-44. 40 of 52 Give an example of when the flute and solo violin play in parallel thirds? Bars 107-114. 41 of 52 After the four-part texture beginning, what type of texture is there? A full one/tutti section. 42 of 52 What type of texture does the harpsichord solo (in bars 163-176) have? A two-part canonic texture. 43 of 52 When does the free cannon (between the flute and solo violin) begin? Bar 193. 44 of 52 What type of dynamics did Bach use and how did he create these? Terraced dynamics, through: texture. 45 of 52 What type of chords are used in the movement? Simple and diatonic chords. 46 of 52 What types of triad does Bach use? (2.) Ones in root position or in first inversion. 47 of 52 What type of dominant 7th chords does Bach use in the piece? (2.) Ones in root position or inversion. 48 of 52 What two things does Bach rely on to enliven his simple harmony? Appoggiaturas and suspensions. 49 of 52 How does Bach resolve the dissonance created by the appoggiaturas and suspensions? By moving to a harmony note. 50 of 52 What does Bach use to underline the modulation in key in the central B section of the music? (2.) Tonic and dominant pedal notes. 51 of 52 What cadence does each section end with? A prominent perfect cadence. 52 of 52
AQA GCSE Music- The Western Classical Tradition- The Baroque Orchestra & Genres 5.0 / 5 based on 1 rating
Comments
No comments have yet been made