Haydn 104 mvt 2

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  • Created by: lilac123
  • Created on: 23-02-21 17:52

Structure

Overall structure:

-Theme and Variation

-Tripartie structure

Opening: bar 1-37 (codetta at bar 33)

Middle section: first half bar 38-56

                         second half bar 57-69

Link to final section: bar 70

(a) bar 74-81

(a1) bar 82-89

(b) bar 90-97

(a) bar 98-140.  Codetta 141-end

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Texture

Bar 1: Homophonic (melody and accompaniment)

Bar 9: light texture

-Bar 17: Double bassoon and violin 1 in octaves

-Bar 26: violins in 3rds

-Bar 38: Homophony

-Bar 57: reduction in texture

-Bar 60: Imitation

-Bar 70: monophonic texture

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Opening: A theme

-G major

-A theme: falling fith, double.. rhythm

-Bar 4: imperfect cadence (V-VII)

-Bar 8: stacked minor 3rds and diminished 7ths

-Bar 7-8: move to D major and perfect cadence

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B theme (bar 9-16)

-begins in A minor

-sequential imitation between cello and viola (b8-10)

-bar 12: D minor

-bar 13: A minor

-bar 15-16: imperfect cadence

-bar 16: G major

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A extended (bar 17-37)

-bar 22-23: augmented chord

-bar 24-25: interrupted cadence (V-VI)

-bar 28-29: interrupted cadence + diminished chord

-bar 33: Codetta (G major-tonic pedal)

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Middle section 1st half

-begins in G minor

-bar 40: dominant pedal

-bar 42: D minor and alberti bass

-bar 44: Diminished chord

-bar 46: Bb major

-bar 48-49: perfect cadence (II-V7-I)

-bar 55: V7= surprise

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Middle section 2nd half

-reduction in texture

-bar 60: interruption, imitation between V1and V2

-bar 61: 4-3 suspension + melodic sequence

-bar 64: G major

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Link to final section

-monophonic texture builds up expectation

-octave doubling with violin (and bassoon)

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A final section (bar 74-89)

-bar 79: D major

-bar 80-81: perfect cadence

-bar 82: G major

-bar 88: D major

-bar 89: perfect cadence

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B final section bar 90-140

-bar 90-94: D7 chord, Am, C, C, Am

-bar 105: movement through lots of different keys, and C minor chord

-bar 107: Ab chord

-bar 109: Db major, double pedal

-bar 114: C sharp minor chord

-bar 117: F sharp major

-bar 118: F sharp minor

-bar 121: dominant pedal

-bar 122: G major, more development of theme

-bar 131: cadenz

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Codetta (bar 141-end)

-tonic pedal bar 142

-bar 145: double tonic pedal

-bar 149: gentle finish, ends staccato

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