Development of finales
- Created by: lilac123
- Created on: 27-01-21 13:55
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- 4th movement/finales
- Features of finales
- Allegro
- energetic/triumphant
- major key
- sonata/sonata rondo structure
- Early Classical
- energetic ending
- structural purposes
- Stamitz no.2
- prestissimo
- tremolando in violins
- orchestra ends playing in unison
- defines end of symphony
- Haydn no.2
- lively and animated
- melodic material resists development
- resolution to entire work
- rondon form
- 3rd movement-short (3 mins)
- Haydn no.31
- highlights the horns
- ends with set of 7 variations
- followed by an unexpected presto section
- uses material from mvt 1
- followed by an unexpected presto section
- ends with set of 7 variations
- highlights the horns
- energetic ending
- Mature Classical
- symphony grew longer
- weighty finale
- Mozart no.41
- combines all 5 main themes of the last mvt in a fugato texture
- more typical for 1st 2 movements to be weighty
- light-hearted ending
- Mozart no.41
- Haydn 104
- sonata form
- begins with sparse texture
- build up to forte section at transition
- continuous quavers-excitement
- end homo-rhythmic
- weighty finale
- Beethoven
- No.5
- climax
- resolves troubled C minor of the first mvt
- begins with triumphant march theme
- climax
- No.5
- symphony grew longer
- Early Romantic
- left with an impact
- Schubert unfinsihed
- 2nd mvt
- 2 contrasting themes
- ends pp
- lots of abrupt changes in dynamics
- 2nd mvt
- Schubert unfinsihed
- Mendelssohn no.4
- fast Saltarello
- tonic minor (unusual)
- no decisive recapitulation
- left with an impact
- Late Romantic
- less obedient to structural rules
- Brahms no.4
- incorporates Baroque idea of passacaglia
- conservative composer
- Brahms no.4
- Mahler no.2
- material echoes previous mvts
- incorporates singers
- less obedient to structural rules
- Features of finales
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