Bass- working backwards- tonic, dominant, subdominant.
Alto- working backwards- dominant, third below soprano, move up one to perform back to back dissonance with soprano, prepare dissonance by repeating it in the alto under the first soprano note.
Tenor- working backwards- 3rd, then move up step to the rhythm of quaver, quaver,crotchet.
Complete the remaining chord usually I or Ib works well.
1 of 8
Soprano line 321
Ic-V-I
Bass-working backwards-tonic, dominant, dominant.
Alto- working backwards- dominant and then float a 3rd under soprano throughout.
Tenor- working backwards- 3rd, then move up step for two quavers then repeat the pitch of the last quaver as a crotchet in Ic.
2 of 8
soprano line 878
Ic-V-I
Bass- working backwards- tonic, dominant, dominant.
Alto- dominant throughout.
Tenor- 6th below soprano throughout.
3 of 8
Soprano line 323
Ib-V-I
Bass-working backwards- tonic, dominant, then go down by step 2 quavers.
Alto- 3rd below sporano throughout.
Tenor- dominant throughout.
4 of 8
Soprano line 121
I-V7-I
Bass- working backwards- tonic, dominant, tonic.
Alto- working backwards- dominant, 3rd below soprano, dominant.
Tenor-working backwards- 3rd, then work up by step for two quavers and the return to the third of the chord.
5 of 8
Soprano line 123
Ib-V-I
Bass- working backwards- tonic, dominant- move down a 3rd.
Alto- dominant throughout.
Tenor- working backwards- tonic, leading note, tonic.
6 of 8
Soprano line 678
IV-V-I
Bass- working backwards- tonic, dominant, subdominant,
Alto- working backwards- the third of chord I, 5th of chord V, root of chord IV.
Tenor- working backwards- 5th of chord I, same note, 5th of chord IV.
7 of 8
Soprano line 3223
I-ii7b-V-I
Bass- working backwards- tonic, dominant, down by step, tonic.
Alto- working baclwards- tonic, third of chord V, seventh of chord ii7b, repeat note.
Tenor- working backwards- 5th of chord I, same note, 5gh of chord ii, 5th of chord I.
Comments
No comments have yet been made