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- Strong journey for the character
- the entrance immediatly sets a very empowering serious impression to audience and he gains strength from the people he has around him who are below him
- people fear his power
- he then gets manipulated by Lysistra as she uses being a women to her advantage and he becomes very anxious, nervous
- change in body language as he becomes very reserved and almost 'protecting' his masculinty, becomes vunerable
- he keeps look out stage focusing on the near distance trying to not get distracted and becoming weak to lysitratas change
- tries not to be easily defeated
- slowly becomes weaker and exposed which is a direct contrast, humiliated
- clear role reversal between the two characters
- tries to regain power but fails
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- Stanalaskis method of 'becoming the character'
- naturalistic but comical through over exageration
- Magistrate has a motivation of 'relaxed' towards the women says in script he doesnt really take notice
- Rehersal Techniquues would be stafford clark and give him the highest card
- Entrance really highlights the gestic moments of brecht and this can be seen thorough a variety of visual images in the play
- when the magistrate is almost 'defeated' 'humiliated'
- The magistrate could have a motif that represents his attitude maybe a super objective he repeats in the play
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