Pavane and Galliard
- Created by: Corinnaxo
- Created on: 02-04-14 20:24
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- Pavane and Galliard
- Resources
- Any instrument can play this piece because it wasn't written for any specific instruments
- Resources
- Viols play in the recording
- Resources
- Any instrument can play this piece because it wasn't written for any specific instruments
- Resources
- Consort music (popular piece of music)
- No dynamic markings- renaissance piece
- Recorders often play this piece (title page)
- Melody
- Pavane and Galliard
- Pavane and Galliard
- Conjunct melody
- Melody
- Melody
- Whenever the melody is disjunct (has a large leap), it is escaped in a stepwise movement in the opposite direction e.g. bar 24-25
- Grief motif (bar 1) descending sequence falling from the tonic to the dominant
- Extra decorations in the repeat of the piece
- Structure
- Uneven bars in the Pavane, e.g. bars 16, 17 then 26
- AABBCC
- Structure
- Uneven bars in the Pavane, e.g. bars 16, 17 then 26
- Structure
- Even bars in the Gallard to make it more like a dance
- At the end of each section, there is a cadence of some sort e.g. a TDP and a phrygian cadence at bars 15-16
- Tonality
- Modulates to A major at one point
- 1st section of the Pavane- D major
- Tonality
- Modulates to A major at one point
- Tonality
- 2nd section of the Pavane- G major
- Harmony
- Dominant pedal bar 54
- Tonic pedal bar 34
- Harmony
- Dominant pedal bar 54
- Harmony
- Suspensions bar 3-5
- False relation bar 13-modal
- TDP right at the end of the galliard
- Texture
- Homophonic section in the middle of the Galliard 9-16
- 5 part imitative counterpoint- Pavane
- Texture
- Homophonic section in the middle of the Galliard 9-16
- Texture
- Independent counterpoint- Galliard
- Rhythm/tempo
- Faster tempo in the Galliard- dance so it should be more upbeat
- Slow tempo in the Pavane- image of melancholy
- Rhythm/tempo
- Faster tempo in the Galliard- dance so it should be more upbeat
- Rhythm/tempo
- Section at the start of the Galliard where the music feels like it should be in 6/4 not 3/2
- Syncopation in the Galliard
- Hemiolas in the Galliard
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