Holbourne - Pavane and Galliard.
- Created by: Rebecca Gallacher
- Created on: 02-05-14 19:28
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- Holbourne
- Facts
- Published in 1599
- Consort - not actually designed for dancing
- Sedate in character
- Duple metre - 3 sections
- Decoration added in on the repeat of each section
- Unsophisticated timbre
- In D major, lots of modulation, added G#
- Strain A
- Opening melody.
- Dotted rhythm.
- Descending stepwise from tonic to dominant.
- IMITATION WITHIN COUNTERPOINT.
- Dense polyphonic texture
- lots of imitation
- 5 PART COUNTERPOINT.
- Suspension in bar 8.
- D carried through from bar 7 to 8.
- False relations.
- bar 11 and bar 13
- a clash of notes a semitone apart in 2 different parts either simultaneously of in close sucession
- Perfect cadence.
- Opening melody.
- Strain B
- Opening melody.
- Same as strain A
- Imitation inversion, bar 18
- False relation in bar 18.
- Closing cadence.
- Perfect in A minor
- Suspensions and syncopation in bar 31.
- 1 bar longer than Strain A.
- Opening melody.
- Strain C.
- Melody in alto clef.
- ASCENDS TO DOMINANT
- Bottom bass plays pedal then ascents to dominant but is augmented.
- Same texture, same ideas, same devices.
- Dominant pedal b54-57.
- Suspension b56-57
- Perfect cadence.
- Melody in alto clef.
- Harmony.
- Passing notes.
- Suspensions
- overlaps parts (sop. +alto)
- Big jumps/wide leaps
- using the root of the chords in the bass part.
- Galliard.
- A dance not to be danced to.
- Popular in Renaissance.
- Lively and fast
- 3/2 triple time.
- Lots of syncopation.
- Improvised/decorated melody in the repeat
- D minor
- TIERCE DE PICCARDIE.
- All 8 bar phrases.
- AABBCC
- regular phrasing.
- Homophonic bars 9-16.
- ONLY TIME IT MOVES FROM 5 PART COUNTERPOINT.
- bars 9-13: A minor
- bars 17-21: F major.
- Imitation.
- Cadences.
- Section A - Perfect Cadence.
- TIERCE DE PICCARDIE.
- Section B - PHRYGIAN MODE.
- Section C - Perfect Cadence.
- Section A - Perfect Cadence.
- Rhythm
- 3/2 -triple time, 3 minims in a bar.
- syncopation in bars 3 and 7.
- Bar 1, first bass line out by half a beat.
- Bars 10-11 - hemiola - also in bars 14-15.
- Facts
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