Oasis - 'Don't look back in anger'
- Created by: dramaqueen17
- Created on: 14-05-16 17:03
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- 'Don't look back in anger'
- General Information
- Brit-Pop
- Equal 4 bar phrases
- Traditional guitar-led pop line up
- 'British sound'
- Root and 1st inversion chords
- Music based on the 60's & 70's (Beatles and Kinks)
- Brit-Pop
- Structure
- Verse-Chorus with Intro, Outro & Link
- Texture
- Melody dominated homophony
- Melody = Vocal Line
- Accompany = Piano & Guitar chords + simple bass
- Variety provided by occasional guitar licks
- Performing Forces
- Vocal Style
- Vocals double tracked for a fuller sound
- High tessitura
- Mainly syllabic with some melismas at the end of phases
- Bass = Low tessitura - Plays mainly on bottom two strings
- Traditional pop line up & piano + tambourine
- Lead guitar = light distortion & occasional pitch bend
- Drums = occasional fills
- Strings = melatron
- Vocal Style
- Tonality
- Cmajor - No modulations
- Some substitution chords = Fmin7 & G#dim in pre-chorus
- Mainly pentatonic GACDE
- Verse &Chorus = mainly diatonic - except G# in E major chord
- Melody
- Melodic repetition in Outro
- Chorus = Hexatonic - adds C
- Verse = Pentatonic
- Occasional blue notes
- Octave leap at chorus - remainder conjunct and stepwise
- Rhythm & Metre
- Bass drum - beat 1&3
- 4/4
- Snare - beat 2&4 (backbeat)
- Distinctive continuous quaver rhythm in the piano intro - based on John Lennon's Imagine
- From verse = Drum 8 beat rhythm
- Syncopation in vocal line
- General Information
- Harmony
- Intro = Alternates between Tonic & Subdominant
- Slow harmonic rhythm
- 'Don't look back in anger'
- General Information
- Brit-Pop
- Equal 4 bar phrases
- Traditional guitar-led pop line up
- 'British sound'
- Root and 1st inversion chords
- Music based on the 60's & 70's (Beatles and Kinks)
- Brit-Pop
- Structure
- Verse-Chorus with Intro, Outro & Link
- Texture
- Melody dominated homophony
- Melody = Vocal Line
- Accompany = Piano & Guitar chords + simple bass
- Variety provided by occasional guitar licks
- Performing Forces
- Vocal Style
- Vocals double tracked for a fuller sound
- High tessitura
- Mainly syllabic with some melismas at the end of phases
- Bass = Low tessitura - Plays mainly on bottom two strings
- Traditional pop line up & piano + tambourine
- Lead guitar = light distortion & occasional pitch bend
- Drums = occasional fills
- Strings = melatron
- Vocal Style
- Tonality
- Cmajor - No modulations
- Some substitution chords = Fmin7 & G#dim in pre-chorus
- Mainly pentatonic GACDE
- Verse &Chorus = mainly diatonic - except G# in E major chord
- Melody
- Melodic repetition in Outro
- Chorus = Hexatonic - adds C
- Verse = Pentatonic
- Occasional blue notes
- Octave leap at chorus - remainder conjunct and stepwise
- Rhythm & Metre
- Bass drum - beat 1&3
- 4/4
- Snare - beat 2&4 (backbeat)
- Distinctive continuous quaver rhythm in the piano intro - based on John Lennon's Imagine
- From verse = Drum 8 beat rhythm
- Syncopation in vocal line
- General Information
- Simple root position chords
- Ends simple tonic chord
- Harmonic rhythm = speeds up to 1 chord per beat in the chorus
- Intro = Alternates between Tonic & Subdominant
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