AOS3

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  • AOS 3
    • Davis: All Blues
      • Structure
        • 12 bar blues
        • Intro, head, solos (trumpet, alto, tenor, piano), head, coda
      • Melody
        • Solos are improvised
      • Tonality and Harmony
        • Modal jazz
        • G major with a flattened 7th: a blue note
      • Rhythm, Metre and Tempo
        • 6/4 - jazz waltz
        • Swing quavers and syncopation
      • Instrumentation
        • Drum, piano, alto and tenor sax, trumpet, bass
      • Written in 1959
    • Buckley: Grace
      • Structure
        • Intro, verse 1, chorus 1, intro, verse 2, chorus 2, bridge, intro, verse 3, coda
      • Instrumentation
        • Guitar, bass guitar, synthesiser, strings, drum kit
      • Texture
        • Homophonic, thickens in coda
      • Use of technology
        • Modulation on synthesiser
        • Distortion and overdubbing on guitars
        • EQ in final verse
      • Tonality and Harmony
        • E minor but ambiguous
        • Chords are chromatic and in parallel motion
      • Rhythm, Metre and Tempo
        • 12/8
        • Syncopation and cross rhythms
      • Written in 1994
    • Moby
      • Written in 1999
      • Melody
        • Samples from 1953
          • Male sample in verse, female in chorus
      • Structure
        • Verse-chorus structure
      • Texture
        • Builds as instruments are added gradually
      • Rhythm, Metre and Tempo
        • 4/4, syncopation
      • Use of Technology
        • Synthesisers, sampler, sequencer
      • Harmony and Tonality
        • Am, Em, G, D
        • C, Am, C, Am
        • F, C, F, C
        • Verses in dorian mode, choruses in C major

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