Design

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Ann Lee (1736-1784)
Shaker Design (1800-1930)
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Shakers arrive in America - 6th August 1774
Shaker peak - around 1850 - over 5000 members
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Move from agrarian society in Britain to industrial society - around 1850
John Ruskin (1819-1900) - art critic
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The Great Exhibition - 1851
Crystal Palace - 569x126m. £170000 in total. 7 months to build
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William Morris (1834-1896)
Edward Burne-Jones (1833-1898)
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Morris and Burne-Jones at Exeter college around 1853
G.E Street (1824-1881)
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Philip Webb (1813-1915)
Gabriel Rossetti (1828-1882)
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The Red House (1859-1860)
Rossetti "More a poem than a house"
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Hugh Casson (1910-1999) "suddenly rearing up like a miniature Camelot of Turrets and steeply crested roofs above its surrounding wall"
1861 - Morris, Marshall & Faulkner. Change name to Morris & Co in 1875
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William de Morgan (1839-1917)
'Trellis' (1862)
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'Pomegrante' (1866), also known as 'Fruit'
Morris & Co closed in WW2
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'Bullers Wood Carpet' (1889)
De Morgan made tiles for Morris &Co up until 1888
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'The Green Dining Room' (1865)
The International Exhibition (1862)
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C.R. Ashbee (1863-1942)
Ashbee set up the Guild of Hanicrafts in 1888
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Ashbee moved his workers to Chipping Camden in 1902
Ashbee's company went into liquidation in 1907
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C.D.A Voysey (1857-1941)
J.P Seddon (1827-1906)
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Voysey set up his own practise as an architect in 1882
A.H Mackmurdo (1851-1942)
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Voysey's designs 'Demon' and 'Three Men of Gotham' published in the art magazine 'The Studio' in 1893
Voysey sold his first designs to Jeffery & Co in 1883
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In 1884, Voysey joined the Art Workers' Guild
'Alice and Wonderland' (1930)
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Voysey's gold and enamel brooch (1896), made for Reverend J Tetley-Rose
Voysey's design for a clock (1896)
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Leonardo da Vinci (1452-1519)
Voysey's piano design (1908)
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Voysey's desk designed for Mr and Mrs Ward-Higgs (1896)
'Greyfairs' (1897), Surrey
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'Holly Bank' (1903), Chorley Wood
'The Patures' (1901, Luffenham
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Henry Price (1867-1944)
Morris' painted wooden tub chair (1856)
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Antonello da Messina (1430-1479)
'The Prioress' Tale Wardrobe' (1858), designed and painted by Burne-Jones, given to Morris to be in the Red House
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Settle designed by Webb (1860)
'St George Cabinet on Stand' (1862), designed by Webb and painted by Morris
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Grand Piano (1884) designed by Burne-Jones
Alexander Ionides (1810-1890)
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The 1856 Table by Morris was based on the Cuddesdon Table by G.E Street (1854)
Ford Madox Brown (1821-1893)
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Madox-Brown's design for a washstand (1860)
Webb's adjustable back chair (1886)
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The 'Saville Armchair' (1890) and the 'Bergere Armchair' (1893), both designed by George Jack who joined Morris&Co in the 1880s and became one of their ost successful designers around the 1890s
Cathedral of Chartres - built within 40 years
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All Saints Church in Selsley, Gloucestshire (built in 1861) - Morris & Co given £240 to do all windows
The Creation Rose Window roundels - planets roundel, night and day roundel and Creation Flora Roundel all Morris. Fish and birds roundel, Adam naming beasts roundel, and paraclete design of Holy Ghost both Webb.
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Merton College Chapel windows from 1290s
'Sermon on the Mount' - south aisle, done by Rossetti, Morris and Burne-Jones. Fanny Cornforth (1835-1906) = Mary Magdalene. Algernon Charles Swinburne (1837-1909) = St John. Ernest Gambart (1814-1902) = Judas.
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George Frederick Bodley (1827-1907)
St Michael and All Saints Church in Brighon built from 1860-1861
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West Rose window by Burne-Jones, other West windows by Morris and Madox-Brown
'Flight into Egypt' in the Lady Chapel at Brighton, by Burne-Jones
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St Martin on the Hill, Scarborough - built 1861
Pulpit painted by Morris, Rossetti and Madox-Brown
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The Three Marys Window - Mary Magdelene by Morris, modelled by Annie Miller (1835-1925). Virgin Mary by Burne-Jones, modelled by Georgina Burne-Jones (nee MacDonald, 1840-1920). Mary of Bethany by Rossetti, modelled by Eliabeth Siddal (1829-1862).
The All Saints Church in Middleton Cheney, Northamptonshire. East windows by Morris, Simeon Solomon (1840-1905) and Burne-Jones in 1865
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The Window of Saints - Morris and Webb
East window of Eve and Mary - Morris
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The Firey Furnace Window designed by Burne-Jones
Oscar Wilde (1854-1900)
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The Holy Trinity Cathedral in Sloane Street built in 1890 by John Dando Sedding (1838-1891)
"The cathedral of the Arts and Crafts Movement - John Betjeman (1906-1984)
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In the 1890s the Arts and Crafts Movement was in full swing and dominated most of England
Christopher Dresser (1834-1904)
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Dresser entered the Government School of Design in Somerset House in 1847
Dresser published 3 books on botany in the 1850s
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'The Art of Decorative Design' - Dresser, 1862
Dresser set up his own design studio in 1869
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In 1869, Dresser sold 158 designs for silk damasks to Wards of Halifax, 67 designs for carpets to Brintons, 142 designs for carpets to John Crossley & Sons
Owen Jones - 'The Grammar of Ornament' (1856)
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Dresser visited Japan in 1876 - visited 48 potteries, 100 temples, took 1000 photographs
'Japan, its architecture, art and art manufacturers' - Dresser, 1882
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Dresser's Hukin and Heath sugar bowl and cover, 1880
Dresser's Hukin and Heath silver plate and glass decanter (1879)
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Dresser's Hukin and Heath silver plate and ebony wine bottle holder (1885)
Dresser's Hukin and Heath candle holder, around 1880
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Dresser's Hukin and Heath silver plate kettle (1878)
Dresser's James Dixon & Son's toast rack 1879
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Linthorpe Art Pottery (1879-1889)
In 1880, Dresser founded 'The Art Furnisher's Association' - Bond street shop
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Dresser's Richard Perry, Son & Co candlesticks 1883
Dresser's 'Komai Pitcher' for Elkington & Co, 1880
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Charles Rennie Mackintosh (1868-1928)
Margaret MacDonald Mackintosh (1865-1933)
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Mackintosh married Margaret in 1900
Frances MacDonald (1873-1921)
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Herbert MacNair (1868-1955)
Mackintosh had a nervous breakdown in 1914
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'The White Rose and the Red Rose' Margaret, 1902
After 1856 Japanese markets opened up, for the first time their culture began trading with the West.
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In 1890 Mackintosh came back to the Glasgow School of Art to teach as a master of architecture
In 1895 Mackintosh decided to set up his own art school on the site of Sauchiehall Street
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The Willow Tea Rooms on Sauchiehall Street, Glasgow, opened in 1902
Mackintosh designed The Willow Chair in 1903
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Mackintosh's White Room was in the International Interior Design Exhibiton in Vienna in 1900
Mackintosh entered competition 'An Art Lover's House' in 1900
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Mackintosh's entry was built 88 years after he designed it, in 1989. It took 7 years to build.
Alexander Koch (1860-1939)
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Hill House (1902), Helensburgh, built for Walter Blackie
Louis Comfort Tiffany (1848-1933) was an architect from the 1870s-1920s
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'Snake Charmer at Tangier' (1872) - an early painting of Tiffany's
Veteran's Room of 7th Regiment Amory, New York, (1800)
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The Tiffany Residence on 71st Street and Madison, built in 1883 - ceiling 45 feet high
Magnolias and Irises - 1908, 60x42 inches - stained glass window
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'View of Oyster Bay' 1908 stained glass window, 72x66 inches
Grapevine stained glass panels, 1921
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'Autumn Window' 1923 for Mr Tavle
Tiffany started making glass in 1883
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In 1893, he founded his own glasshouse at Corona, New York. The director was Arthur J Nash, and the range was called Fabrile (later changed to Favrile' meaning 'handwrought'
Tiffany Favrile Glass had an advert in Art Interchange magazine in 1896
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By 1900 43 Museums had Favrile in their collections on show
Cut and engraved glass vase (1853-1898), engraved by an employee of Tiffany's - Kreischman
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Irridescent Jack in the pulpit vase 1900
By 1906, Tiffany had 125 designs that ranged in price from $30 to $750
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Water lily table lamp (1904-1915), 26 inches tall
Emile Galle (1846-1904)
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Tiffany and Thomas Edison did the lighting for the Lyceum Theatre in 1884
Francis Thill (1829-1890)
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In 1878, Tiffany set up his own glass furnaces employing Andrea Boldoni
In 1880, Tiffany pateneted 3 new types of glass - metallic lustre glass, a new window glass and a tile glass suitable for mosaics
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Tiffany Glass Company - set up in 1885
Tiffany started making lamps around 1899
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Other cards in this set

Card 2

Front

Shaker peak - around 1850 - over 5000 members

Back

Shakers arrive in America - 6th August 1774

Card 3

Front

John Ruskin (1819-1900) - art critic

Back

Preview of the back of card 3

Card 4

Front

Crystal Palace - 569x126m. £170000 in total. 7 months to build

Back

Preview of the back of card 4

Card 5

Front

Edward Burne-Jones (1833-1898)

Back

Preview of the back of card 5
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