Aeneid Terms revision

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O J M J Y F E O C U Q I J W H G H C O Q H
P P T N Q J S O I I D V P N M N C C J E M
E C W M G W G M Y E K W T A O H E Y Y S Y
J L D R W L S I A D S H D I A Y R V W T U
A C D Y I C N X D U E D T C E E L U L Q S
V L F J A P J B B G F C S L N T W X R W C
O H L O H Q R P O G A A I I V N A A Y F N
K D U R Y N F L H F T M H J S P R U R K C
Q W I H Y V D P O I I C N E O C H E C H X
Q J E R Q E P Y R S A O E S W H S A Q N K
T X F P N K T E D M I B T U D G B M U V T
O P C A U I V E E T X R W Q E H N S V V Q
O U G J N E D N A D O P H S S E C N W A B
T E M U S N I D T P M E T A M M A F O E S
T F K I E V R F H J D A L H X E E G T J Y
M R J T I A U E C J E F A K H L U U S Y L
D H X D T A D R A M A T I C I R O N Y W V
Y E F E Y U C T S H A Y B J C G Y D F C I
T S R W M R W Q A X G E K O U H X T R Q Q
Y I I B C I W C C M R P T G Y S A B K J V
V V H L P Q L I Q A W X B N O G X M U Q R

Clues

  • A collective noun for the gods and goddesses, so called from their use as plot devices or mechanisms. E.g. Virgil starts the Aeneid with Juno’s stirring up a storm against the Trojan fleet. (6, 9)
  • A lengthy comparison employing like or as and a chief source of poetic imagery in epic. E.g. Aeneas compared to an oak-tree buffeted by Alpine winds in book 4. (8, 6)
  • A rhetorical term for a speech addressed to a person, idea or thing often placed at the start of a poem or essay, which also acts as a pause or digression. (10)
  • A series of achievements as listed by Augustus on his mausoleum. (3, 6)
  • a series of actions linked by a probable or necessary chain of cause and effect, as in the main plot of the Aeneid whereby Aeneas through long arduous travels and fighting establishes a new Troy in Italy. (5, 2, 6)
  • A story that interrupts the main narrative to describe an earlier event. E.g. Aeneas telling Dido of the Fall of Troy in book 2 and Evander telling Aeneas of his martial deeds. (9)
  • An episode which delays or decelerates the main plot. E.g. Evander’s tale of Hercules and Cacus in book 8 and the exploits of Nisus and Euryalus in book 9 (11)
  • Gravity, seriousness, austerity and sternness, two abstract nouns often used to describe Aeneas’ determined serious nature. (9)
  • Idea from Graeco-Roman mythology that there were a series of ages (golden, si, br, heroic and then iron) during which mankind developed. Golden age was seen as a period of peace and prosperity. Virgil was suggesting Augustus would bring back TGA. (3, 6, 3)
  • When the audience knows more than the characters, occasioning many ironies. E.g. in book 6 the Roman audience would know all the summi viri (leading men) in the pageant of future heroes being pointed out to Aeneas by his father. (8, 5)

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