Van Morrison - Tupelo Honey
- Created by: EleishaAbbie
- Created on: 04-04-15 18:33
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Background Information
- biography
- Van Morrison is an Irish singer and songwriter who has enjoyed many hits in the course of a long career
- born in Belfast
- musical style influenced by his Celtic roots and his father - a collector of imported American jazz and blues records
- Tupelo Honey is:
- the name of the album on which this track appeared on in 1971
- a sweet type of honey, native to Florida - Morrison's home in the early 1970s
- 7 minutes long - unusual for pop singles, though not so unusual for album tracks at this time
- chords and melody of this song have much in common with another Morrison hit: 'crazy love'
- two tracks have been performed together by Morrison
Performing forces and their handling
- Morrison's vocal line is influenced by soul/gospel and celtic singing styles
- mainly syllabic, few melismas ('to' in bar 11)
- range of an eleventh (F-Bb) with high Bb only appearing in coda 1 towards the end
- higher notes are occasionally sung falsetto
- backing vocals used in dialogue with lead vocals in verses 2, 3 and 4 and in coda 1 and the final coda
- guitars - both electric and acoustic - are used in a restrained melodic way
- some strummed chords but much melodic interest
- both guitars keep up a dialogue with the lead vocals throughout the verses, playing short, florid passages, in a high register, similar to the lead vocal line
- piano/organ provides chordal backing throughout - piano is occasionally more prominent with improvised 'fills'
- drums play a reasonably straight rock beat throughout - increasing use of cymbal crashes, tom-tom fills, normally at the ends of phrases
- the bass plays a repetitive line with improvised variations - bars 1 and 3 of the four bar phrase normally contain Bb descending to an A (varied with an upward arpeggio in the choruses, bar 37 to 40 and 45 to 57), while bars 2 and 4 contain either a syncopated figure in quavers Eb-C-F-Bb or a chromatic move up; Eb - Eb - Enatural - F
- other beats are filled with decorative quaver and semiquaver rhythms
- flute plays a simple two bar idea at beginning and end of track -…
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