Stanza Seven: The speaker can only passively accept her love; his anxiety regarding his inability to return the love she deserves has been diminished to 'fretting', to emphasise the fact he no longer loves her as she loves him.
Stanza Eight and Nine: Refer to leaving 'never to see you more', justified by departing from the rhyme scheme. It confirms he's unable to match the passion she feels for him, emphasised through the lexical choice 'burn' connoting fire and passion, opposed to Thomas' previously depiction of 'weak'.
Stanza Ten: 'Only gratitude', Thomas is overwhelmed with the lack of love, thus the self-comparison with a 'pine' denotes his lingering suffering, juxtaposed with the evocative imagery of the 'dove', suggesting the complete separation 'solitude', will render her peaceful as she deserves. The present-continuous, pre-modifying adjective 'cradling' reinforces this, suggesting inconspicuously, he is continually gently protecting his partner by not telling her the brutal truth.
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