Gabrieli - In Ecclesiis 0.0 / 5 ? MusicDeveloping Musical UnderstandingA2/A-levelEdexcel Created by: rosariorospo1Created on: 08-01-17 14:31 Texture BAROQUE 6-part homophony Organ continuo Imitation 2 canons - one between chorus alto and tenor and one between soloists RENAISSANCE Monody - solo part and organ Polyphonic texture Contrapuntal 6-part instrumental and continuo accompaniment, alongside alto and tenor duet 1 of 6 Structure BAROQUE Similar to baroque cantata - succession of short movements (A, B, C, B, Sinfonia, D, B, E, B, F, B with extension - rondo form) 2 of 6 Harmony BAROQUE Augmented chord with secondary 7th Rising circle of 5ths Tertiary progressions involving unrelated chords Unprepared 7ths Dominant pedal - adds tension RENAISSANCE Suspensions - adds tension Consonant 4ths - adds tension Passing notes - adds tension False relations 3 of 6 Melody BAROQUE Florid ornamentation More elaborate writing for solo voice Repetition of phrases RENAISSANCE Similar to 16th century polyphony and plainsong 4 of 6 Rhythm and Metre BAROQUE Syncopation RENAISSANCE Declamatory style - prolonged virtuoso melisma and irregular pulse at times 5 of 6 Performing Forces RENAISSANCE Male voices perform 'soli' parts Latin lyrics - accented syllables on strong beats A motet - performed in church/cathedral, originating at St. Mark's Cathedral in Venice 'Stile Concertato' - interaction of more than one group of instruments or voices. 6 of 6
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