does not use melody in a conventional sense due to indeterminate pitch (result of preparation)
Some traditional melodic devices are still used however:
descending sequences: bar 14-15 Sonata III
ornamentation (trill): bar 36 Sonata II
some evidence for motivic writing and motivic development
repetition of decorated Eb motif: bar 18-19 Sonata II
right hand figure in bar 2-3 of Sonata III is augmented to x8 its original length: bar 13 Sonata III
motif from bar 9 (left hand) is transposed into a rising scale in bar 17
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