Lamentatione Symphony - Haydn
- Created by: laurenalicea98
- Created on: 17-05-16 14:21
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- Lamentatione Symphony - Haydn
- Rhythm & Metre
- Syncopation - Bar 1-8
- Rests used as articulation, like sighs - Bars 9-12
- More quaver movement - 2nd subject
- Simple quadruple throughout
- 'Assai con spirito' meaning spirited
- Melody
- Angular - S1
- Violin 1 often has the melody
- Diatonic - Bars 1-10
- S2 - Melody is taken from Plainchant
- Chromatic melody - Bar 69 - outlines dim 7th
- Harmony
- Functional
- I & V used plenty - I-Vb used 4 times - Bars 9-12
- Circle 5ths - Bars 58-65
- 4-3 suspension - Bar 2
- Some diminished 7ths - Bar 4/13
- 9-8 suspension - Bar 4
- Tonality
- Functional
- 1st subject in Dm
- 2nd subject in F - Exposition
- F major - Dev, touches Gm (55) F & Dm before moving to Am (Vm)
- Tonic major for S2 in recap - Bar 100 (D major)
- Performing Forces
- Strings - 2 violin parts with violin 1 generally more active
- Not technically demanding - Double stopping, final bars
- Cembalo - Baroque period - Harpsichord
- Horns - Natural, use crooks
- Structure
- Sonata form
- Exposition - Bars 1-44
- S1 - Bars 1-17
- S2 - Bars 17-44 Plainsong theme
- Development - Bars 45-80
- Mainly based on S1, some elements of S2
- Recap - Bars 80-133
- S1 - Bars 80-99
- S2 - Bars 100-125
- Coda - Bars 126-end
- Texture
- 2-part counterpoint, doubled in 8ves
- Creates polarised texture - melody with bass and 'part filling' - Bars 1-8
- Single part in 8ves - Bar 43
- Homorhythmic - Bars 9-12/132-133
- MDH - Bars 53-56
- 2-part counterpoint, doubled in 8ves
- Rhythm & Metre
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