Ballet Rambert's change


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  • Ballet Rambert's change
    • Instigators for change
      • Financial struggles due to touring
      • New dances couldn't be created
      • Amount of touring = demoralising + tiring, reflected in the standard of work
      • Large scale ballets = expensive
      • Graham's company was non-hierarchical & Morrice was inspired
      • Nederland Dance Theatre went through similar change - Morrice & Rambert saw them perform "Pierrot Lunaire" & wanted similar thing
    • Practical changes
      • Reduced dancers from 33 to 17 +/- 2 guest artists, no corps de ballet, reduced orchestra
      • Dancers began learning contemporary (Graham influenced) techniques
      • Everyone became soloist within their own right
      • Performed in smaller venues
      • Anna Price & Clover Roope (ex-Graham students) helped teach Graham technique
    • Key works
      • Morrice wanted to preserve the best original works.
        • Tudor
          • "Dark Elegies" (1937)
          • "Lilac Garden" (1936)
    • Marie Rambert's aims in subsequent years
      • Collaborations with choreographers, designers, & composers
        • Contact made with the Central School of Art and Design
        • Collaborations1 & 2 - provided a platform for new works by apprentice innovators

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