Pierre Bourdieu - The Rules of Art: Genesis and Structure of the Literary Field (1992)

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R O S T X H P I C R B U I F A C I K H G
E M M A W F T Q Q I A X A T A D N U K F
M S I C H I O H N W B W Q M Y A S S Q X
U E O Q U L B G O M T E U B R G T K K T
S B Q R F U U I O K O C Q U O U I Y L B
N M A R C H H S V O U M G V T K T G N A
O J U Q T F Q S X P P V H O S F U F U G
C Q X G S H H X E R G C N Y I H T V W H
M C F P M Q T K I Y E C J K H H I C R X
R B A E U G G V D V Z A U T O N O M Y P
E O F M D R I Q S K A R N G J B N R I P
S S F A D L F G R I G I W S U T L K M M
R L E I E M S C C W E X R O V D U P N K
E M M G G W L D O R R Q L C V B K S J I
V W E Y T N X Q M A U L X C Q S K W L I
N R V P C D Y W H H P G M K F W G S S R
I R A F A C D W C J U V J X F H V C E S
R C D S Y M B O L I C P R O F I T P O F
W E E X U C C U V B H O G M G F F C O L
J H A D T B L H P S A J E F L K T B A V

Clues

  • 'Although it appears to itself like a gift of nature, the eye of the nineteenth-century art lover is the product of ..........' (7)
  • 'the value of the credit of recognition ensured by consumption decreases when the specific competence recognised in the ................ decreases' (8)
  • The 'pure gaze' is therefore presented as a 'universal norm' when it is actually the 'product of .......' (9)
  • This marks the 'progress of the literary field towards ......'? (8)
  • What does Bourdieu call the supposedly inherent and natural gift of the method of looking at art? (4, 4)
  • What is present in 'things' and in 'minds'? (11)
  • What is the inverse of the 'economic profit' of genres as they become more 'distinct'? (8, 6)
  • What was the relation between the two hierarchies at the end of the 19th century? (7)

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