Mozart sonata in B flat 0.0 / 5 ? MusicmusicASEdexcel Created by: Redshoes0_0Created on: 01-02-15 22:32 Exposition? bars 1-63 1 of 21 Development? Bars 63-93 2 of 21 Recapitulation? bars 93-end 3 of 21 Exposition introduces? First subject (B flat major tonic) 4 of 21 Second subject? Several ideas in dominant F major 5 of 21 Exposition closing cadence? Perfect reinforcing F major 6 of 21 Development keys? F major, F minor, C minor, B flat major, G minor 7 of 21 How does it prepare for recapitulation? moving round the dominant chord for seven bars 8 of 21 Recapitulation repeats? Repeats much of exposition, modified to remain in tonic 9 of 21 Periodic phrasing? pairs of equal length phrases balanced as Q&A, some avoid being equal length 10 of 21 Melody dominated Homophony? RH melody dominates, LH usually accompanies using block chords, broken chords or bass lines 11 of 21 Alberti bass used? bars 71-80 12 of 21 Ornamentation? appoggiaturas, some diatonic some chromatic. Trills and inverted turns 13 of 21 further ornamentation? Passing notes and suspensions 14 of 21 Changes of mood/style first subject contrasts with second subject 15 of 21 Texture? clear two part writing 16 of 21 chord and cadence? Clear chord progressions and perfect cadences defining keys 17 of 21 imperfect cadence? marking ends of phrases and leading to new sections 18 of 21 Harmony? Tonic and dominant chords, introduces chromatic chords such as augmented 6th and diminished 7th 19 of 21 cadential 6/4 (Ic) chords? used as approach to cadences 20 of 21 Feminine cadences? Accented dissonance on the final chords of the cadence caused by appogiaturas in the RH 21 of 21
Describe the Stylistic Features of Mozart’s Piano Sonata in B Flat, K.333: Movement 1, Which Show it was Written in the Classical Period 0.0 / 5
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