dr

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C E Y X W P F R N K M G I Q Q E C D I S B
A G T N Q M W I O N H H H M A O A N C Q B
O F S B O B N R T D U D N R U T S I T U E
E B E R H J D K S I K G M S S E F C F P M
T Q N U J B T M N B E W I Y O V G H B E D
Y R U Q K H A I I K M N I L P V K O Y N A
P P H K N A P S W M S P P A S N E L E W K
U V P R N D P V D M A U N K N R U S J G S
K O U F O U U Y C G F L S O E O K H A K O
S C Y B C H X D E W Y R S N G P B X I W M
Y U E A G V O T I K E R R O O M R J B P X
N T G Q X N T D N D E O A E V M U E U J Q
E M N V A G Q W N I C F S F I D Z C N E R
H U C L E Q B U R Y F S K G U U Z V M D A
E M D P W S A G I A N P K J A Q I A A D F
I A F Q O S F Q J N N E U V X E R D T L U
M O A F O Y R N I X O U A R R Q S B Y N B
L Y J M C X U K P X I N G A U F E A L X W
G I N N G Q C M A K P P J I R U J U F D D
D A F N C D D O A M C P S Q I N J G V G V
B S I K H B J K J N N A M W C J M S V E V

Clues

  • “aesthetics of film form” (7)
  • “broad truths about something of social importance” (5)
  • “creative skills to fashion the fragments of reality into an artefact that has specific social impact” (8)
  • “documentaries are a negotiation between filmmaker and reality, and at heart, a performance” (6)
  • “Dramatization cannot be firmly separated…from that low-level enactment which is…in nearly all documentary” (6)
  • “Everyday performance, filmic performance, documentary performance” (7)
  • “the documentarist/participant relationship as the ethical key” (7)
  • “the filmmaker positions his or herself centrally to the narrative or argument” (8)
  • “…the relationship between film and reality is not a straightforward or literal one, but that of a metaphor.” (7, 8)

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