Context of the Auteur Theory
-Developed by Francois Truffaut and Andrew Sarris (defined by Barry Keith Grant in the last slide), The auteur theory developed in the 1950’s/60’s as a way of defining artistic creators who’s work is identifiable by individual characteristics.
-‘Cahiers Du Cinema’ is a French magazine, founded by Andre Bazin, Jacques Doniol-Valcroze and Joseph- Marie Lo Duca in 1951.
-In 1954, Truffaut disputed ‘La qualité française’ (usually translated as "The Tradition of Quality”), which triggered the discussion called ‘la politique des Auteurs’; which later became known as the Auteur Theory.•It was known that it was not until the end of the studio system era in America that there were many restrictions put on the directors, it is clear that Cahiers Du Cinema focused on more European directors ( such as Alfred Hitchcock). It is clear that Francois Truffaut was aware of this, and that the type of films they would be creating would be within these boundaries, and that the scripts for these films would often be determined by the studious in charge.
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