dr

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V W Q E Y T G D H G O P O I E F Y T T T W
D W H P T E S Y L F F O U M G B D S V G T
V K E E N I G W O N T L B K D W X S H C C
P A G E T S S C G K N P G L B R U Z Z I X
M R E R E N B W G U W Q A W H R P B J X B
W G K S B S U C M X Q N I Q F J U B N K V
I N U A T L P Y G X O N K H L V Q G I L D
L O G U M O B O O D S F T R U X W G B Y G
B S L N N H A E C T S C O R N E R X W F J
F R M D F C R M O M Q C E P W G V D M S X
X E J E W I S N R E J R N Q C U X S U S J
O I V R H N W M M K J D S A R K I B Y C V
P R X S I E G B V K A S E B Y J L U M X M
O G Q S L S Y A Q G I T E E C A X U S I B
Q A U E H A R N E U G R I Y D G V T N S L
S O T T P M B J Q M W U P N E N G N C A M
C V C D W Y M R T E F Y D C P W T C I D X
Y C P B T V A A S S U J Y Q E G M X M N Q
O U Y P C M J B E D O Y P Q H T H I A J V
U Q Q K E P M V C Y L F G J X H W T K K P
S L T L M Y T R W W U I M K S A T O M U N

Clues

  • “aesthetics of film form” (7)
  • “broad truths about something of social importance” (5)
  • “creative skills to fashion the fragments of reality into an artefact that has specific social impact” (8)
  • “documentaries are a negotiation between filmmaker and reality, and at heart, a performance” (6)
  • “Dramatization cannot be firmly separated…from that low-level enactment which is…in nearly all documentary” (6)
  • “Everyday performance, filmic performance, documentary performance” (7)
  • “the documentarist/participant relationship as the ethical key” (7)
  • “the filmmaker positions his or herself centrally to the narrative or argument” (8)
  • “…the relationship between film and reality is not a straightforward or literal one, but that of a metaphor.” (7, 8)

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