dr

?
E G A Q F M J P K O I R N B N F X D U R G
A E T G H E P V A C Q U R U L H G L W B J
S T A J G G V J J T X A E T D S H A V J I
X C W B K B Q K H S B Q N S W C T N R X L
M D J U M T N Q V R S Q R Q V G H O V N S
U Y L S I T B N R L B C O L K O L D K F I
W K H U X J T V O I N Q C E P F I C L I T
V V N C L J I H E Z R T L W Q O E M Q E C
O Q I H N G C X X Z G E M H Y S N S C E X
M X L Q I I G V J U C G G G U C S N Q R Q
A S F R N N R V X R T A O W L V H I M X M
R S Q B B X I L L B G P V E L J I S U N F
Q P I H Y N E B J S D F A L E E V U K F F
U I B P W L R W A R G P S P C B K O J L P
I T B A I S S Q K G V O W W M L H C B P X
S T V S N D O H N Q M Y C A A K D Y M B M
U D H D S E N U E S A U N D E R S I E W N
M C H T T U Y M A E Y N V A Y Y Y K F Y J
N T J N O Y B A K N L W Q Y A N F R W K I
X Y R T N V Y R N I H G H I H I Q D J I E
O N G A D I K G G U W W E D Q Q Y P M N D

Clues

  • “aesthetics of film form” (7)
  • “broad truths about something of social importance” (5)
  • “creative skills to fashion the fragments of reality into an artefact that has specific social impact” (8)
  • “documentaries are a negotiation between filmmaker and reality, and at heart, a performance” (6)
  • “Dramatization cannot be firmly separated…from that low-level enactment which is…in nearly all documentary” (6)
  • “Everyday performance, filmic performance, documentary performance” (7)
  • “the documentarist/participant relationship as the ethical key” (7)
  • “the filmmaker positions his or herself centrally to the narrative or argument” (8)
  • “…the relationship between film and reality is not a straightforward or literal one, but that of a metaphor.” (7, 8)

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