Classical Hollywood style
- Created by: KJ167
- Created on: 24-11-22 13:18
| L | N | Y | C | J | N | F | B | U | F | S | N | Y | E | I | U | U | T | E | M | Y |
| E | Y | E | L | I | N | E | M | A | T | C | H | S | M | L | S | D | E | I | I | G |
| C | F | H | L | K | J | Y | G | Y | C | E | E | H | Y | M | B | C | C | F | X | A |
| B | W | X | L | L | W | Y | R | H | K | U | E | O | U | T | Y | D | H | N | U | S |
| P | T | L | V | J | O | W | T | O | H | E | S | T | W | E | M | P | N | P | X | H |
| N | G | F | G | X | I | C | O | M | E | F | P | R | X | N | A | L | I | K | Q | B |
| W | H | S | U | K | N | I | H | U | U | P | L | E | M | W | T | M | Q | H | S | F |
| L | G | R | Y | D | L | G | S | X | V | Q | E | V | I | W | C | I | U | A | W | U |
| A | N | K | J | W | N | D | W | F | M | A | R | E | C | Y | H | J | E | B | B | T |
| Y | B | A | A | G | F | W | I | S | D | N | X | R | B | B | O | Q | S | O | B | U |
| T | L | L | Q | F | G | W | E | R | X | S | E | S | K | C | N | G | F | H | X | H |
| D | F | J | M | K | S | K | V | T | I | S | D | E | O | U | A | I | K | R | C | T |
| A | V | I | L | S | G | N | F | D | H | T | F | S | F | V | C | X | I | X | J | P |
| X | B | R | H | Q | Y | B | O | A | G | C | A | H | T | A | T | J | M | H | S | Q |
| L | C | O | S | S | C | U | T | T | I | N | G | O | E | I | I | M | A | Y | R | R |
| I | O | J | I | X | N | K | N | V | F | L | J | T | J | B | O | Q | G | F | X | E |
| V | T | W | M | F | M | E | I | I | Y | I | O | Q | P | X | N | M | O | U | B | J |
| N | C | E | V | A | A | H | O | H | M | Y | O | Y | K | K | R | X | G | T | K | F |
| C | S | C | N | S | J | N | P | G | F | Q | V | R | U | T | B | V | S | I | V | G |
| F | H | J | G | Q | S | L | V | H | U | J | W | B | R | Y | G | S | L | Y | A | S |
| A | I | O | Q | Y | L | O | L | D | U | W | P | H | C | L | E | W | T | L | D | F |
Clues
- a serise of over the shoulder shots used to alternate from one character to another mostly used in dialouge scenes (4, 7, 4)
- an action that is occuring at the same time but in a different location and is edited together (4, 7)
- cutting from on shot of an action to another veiw of the same action (5, 2, 6)
- eye line match match on action cross-cutting shot reverse shot point of veiw shot 180 degree rule establishing shots (10)
- to keep the eye line matched from one shot to another maintaining the direction that someone is gazing (3, 4, 5)
- used to directly represent the veiwpoint of that character (5, 2, 4, 4)
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