Pulcenella suite

Pitch

-         Blurred outlines through glissando

Expression

-         Exclusive ‘non baroque ornamentation’

Texture and scoring

-         No continuo

-         Solo quintet in the sinfonia and vivo

-         Solo trombone in vivo, with glissandi

-         High double bass

Structure

-         Sinfonia is in rounded binary form 

-         Gavotta is in binary form

-         Vivo Rounded binary form

Harmony

-         Introductions of additional notes creating ‘wrong note’ harmony

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