Non-Figurative Sculpture 0.0 / 5 ? History of Art20th centuryA2/A-levelAQA Created by: epearce1998Created on: 19-06-17 14:30 Picasso 'Glass of Absinthe' (1914) Description Child-like, abstracted glass, use of a ready-made absinthe spoon Spoon on top, iced water is dripped over the sugar cube into the absinthe Untradtional painted sculpture, glass tilts, voids and spcae, rings show how full it is Context Absinthe popular in bohemian cafe circles in Paris, but it was very addictive Representation of face after absinthe, formalistic excercise in hallucination and intoxication 'You should have some idea od what you are going to do, but it should be a vague one' Painted bronze- return to classical/medieval sculpture, influence of Gaugin Eistein's ideas of insability of time and space, Bergson- reality a flux of sensual experience Princet and Poincakes theories about juxtaposition of ojects in space 1 of 3 Brancusi 'Bird in Space' (1923-4) Description Gracefully arches, represents bird in flight, lithe and graceful, accelerates upwards Highly polished bronze, gold finish, lack of indivdualising features Essence of subject, asymmetrical or symmetrical depending on position Context Wanted to create art to defy categorisation, some called it an areoplane propellar 1926 tried to display at NY Brummer Gallery, officals said it was a 'utalitarian object' Brancusi v. US- court updated their definition of art, doesn't need to exactly resemble Crowninshield: 'it has the suggestion of flight...potency and beauty, just as a bird does' 2 of 3 Hepworth 'Three Forms' 1935 Description 3 ovals, imperfect in shape, simple forms, eradicated of colour, harmonious arrangement Space/ sizes between ovals are proportional, sphere a compositional measure against ovals Serravezza marble- classicism and permanence Modernists saw white as sign of 'perfection, purity and certitude' Context Move away from earlier abstracted forms, 'abtract vision of beauty' 1934 her triplets born, the 'only fresh influence', pregnancy had limited her art Use of drect carving techniques of Brancusi and Arp White- links to contemporary architecture e.g. Le Corbusier, clarity and harmony and Mondrian studio- 'gleamed with whiteness' Spheres influenced by husband Nicholson's relief sculpture 3 of 3
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