Non-Figurative Sculpture

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Picasso 'Glass of Absinthe' (1914)

Description

  • Child-like, abstracted glass, use of a ready-made absinthe spoon
  • Spoon on top, iced water is dripped over the sugar cube into the absinthe
  • Untradtional painted sculpture, glass tilts, voids and spcae, rings show how full it is

Context

  • Absinthe popular in bohemian cafe circles in Paris, but it was very addictive
  • Representation of face after absinthe, formalistic excercise in hallucination and intoxication
  • 'You should have some idea od what you are going to do, but it should be a vague one'
  • Painted bronze- return to classical/medieval sculpture, influence of Gaugin
  • Eistein's ideas of insability of time and space, Bergson- reality a flux of sensual experience
  • Princet and Poincakes theories about juxtaposition of ojects in space
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Brancusi 'Bird in Space' (1923-4)

Description

  • Gracefully arches, represents bird in flight, lithe and graceful, accelerates upwards
  • Highly polished bronze, gold finish, lack of indivdualising features
  • Essence of subject, asymmetrical or symmetrical depending on position

Context

  • Wanted to create art to defy categorisation, some called it an areoplane propellar
  • 1926 tried to display at NY Brummer Gallery, officals said it was a 'utalitarian object'
  • Brancusi v. US- court updated their definition of art, doesn't need to exactly resemble
  • Crowninshield: 'it has the suggestion of flight...potency and beauty, just as a bird does'
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Hepworth 'Three Forms' 1935

Description

  • 3 ovals, imperfect in shape, simple forms, eradicated of colour, harmonious arrangement
  • Space/ sizes between ovals are proportional, sphere a compositional measure against ovals
  • Serravezza marble- classicism and permanence
  • Modernists saw white as sign of 'perfection, purity and certitude'

Context

  • Move away from earlier abstracted forms, 'abtract vision of beauty'
  • 1934 her triplets born, the 'only fresh influence', pregnancy had limited her art
  • Use of drect carving techniques of Brancusi and Arp
  • White- links to contemporary architecture e.g. Le Corbusier, clarity and harmony and Mondrian studio- 'gleamed with whiteness' 
  • Spheres influenced by husband Nicholson's relief sculpture
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