John Donne Poetry
Donne - Themes, Language, meaning, imagery, personification
- Created by: Jennifer Shemilt
- Created on: 14-06-11 12:25
"The Sun Rising"
- "Busy old fool, unruly sun", "Saucy, pedantic wretch" -
- "She is all states, and all princes, I, nothing else is", "All here in one bed lay", "This bed thy centre is"
- "nor, hours, days, months which are the rags of time"
- "I could eclipse and cloud them with a wink"
- 1st person - More personal, dramatic monologue
- Obtrustive rhyme scheme
- Unusual - normally associated with hope + happiness.
"The Sun Rising"
- Personification, intrusion (Quote)
- She is everything, they are each other's world. (Quote)
- Love has no constraints, not bound by time, powerful.(Quote)
- Sun's beams - Sun not all-powerful here, but doesn't want to close his eyes in fear of losing sight of his love. (Quote)
- Person?
- Rhyme shceme?
- Unusual imagery?
"A Valediction: Forbidding Mourning"
- Strong love, can withstand anything, even separation, travelling = dangerous (Theme)
-"Virtuous men pass mildly away"
- "Profanation"
- "Laity our love"
- "Sublunary lovers"
-"Care less, eyes, lips and hands to miss"
- "Our two souls...which are one"
- "Like gold to aery thinness beat"
- Stiff twin compasses are two"
"A Valediction: Forbidding Mourning"
- Theme
- Secure knowledge of going to heaven, die quietly, not a big deal. (Quote)
- Insult to the strength of his love (Quote)
- Love on a spiritual level (Quote)
- Under the moon, metaphysical yet still romantic (Quote)
- Won't miss physically, but mentally (Quote)
- Joined spiritually, strong love. (Quote)
- Metaphysical image, love can strectch across oceans and never break (Quote)
- Extended metaphor, travelling, metaphysical/mathematical, connected on map(Quote)
"Valediction: Forbidding Mourning" - Criticism
- M. J. Cummings
- "A maudlin show of emotion would cheapen their love, reduce it to the level of the ordinary and mundane"
- "Relies primarily on extended metaphors to convey his message"
- "Remain united because they are part of the same soul"
"Valediction: Forbidding Mourning" - Criticism
- Who?
- Ordinary and mundane emotion?
- Relies upon what?
- Comment on the twin compasses.
"A Valediction: Of Weeping"
- Separation - Sadness
- "For thy face coins them...by this mintage they are something worth"
- "Fruits of much growth they are"
- "Round ball"
- "My heaven dissolved so"
- "O more than the moon"
- "Weep me not dead"
- "Thou and I sigh one another's breath"
- "Who'er sighs most, is cruelest and hastes the other's death"
"A Valediction: Of Weeping"
- Theme?
- Extended metaphor - Coins, his tears are worth something because they're shed for her. (Quote)
- Nature image, metaphor, tears come from purity of relationship? (Quote)
- Contextual - Shape of the Earth? New discoveries (Quote)
- His world and afterlife are ending without her (Quote)
- More powerful than the moon - discovery of planets/hemispheres, context (Quote)
- Metaphor - Travelling dangerous, don't drown him with tears. (Quote)
- Metaphor - Unbearably linked as one.
- The thought of her hurting hurts him too, upsetting one another, hyperbole (Quote)
"A Nocturnal Upon St Lucy's Day, Being the Shortes
- Serious/ melancholic, feels like nothing/unworthy, emptiness, hurt from love - bereft, vacuous
- "The sun is spent"
- "Dead and interr'd"
- "Study me then"
- "All others, from all things, draw all that's good"
- "Withdrew our souls, and made us carcasses"
- Regular rhyme + unobtrusive
"A Nocturnal Upon St Lucy's Day, Being the Shortes
- Tone/theme?
- Sibilance - Little daylight at this time of year. (Quote)
- Everything is dead (Quote)
- Thinks he should be an example of the results of love (Quote)
- Everyone around him seems so much happier than himself (Quote)
- Lost both physically and spiritually, like dead bodies (Quote)
- Rhyme scheme?
"The Flea"
- Constructed as a logical argument, intellectual - fleas = intimate, not a serious attitude to sex, light-hearted, seduction.
- "It ****'d me first"
- "In this flea our two bloods mingled be"
- "Our marriage bed"
- Pace of poem seems rushed - trying to persuade mistress into bed
- "Three sins in killing three"
- "Purpled thy nail in blood of innocence"
- "Just so much honour, when thou yield'st to me"
"The Flea"
- Metaphysical conceit - Argument? Tone?
-Sexual imagery/overtones (Quote)
- An intimate exchange, metaphor for sex, blood stronger than sexual fluids.(Quote)
- Bed similar to flea - Already joined (Quote)
- Rhythm?
- Against religion - Killing him by denying him sex, killing the flea, and killing herself by not giving himself to him. (Quote)
- Killed innocent flea + Their relationship - Mistress has 'squashed his argument' (Quote)
- Wouldn't hurt her honour to have sex with him, desperation.
"Love's Alchemy"
- A harsh tone, unusual for Donne, love = Worthless, cynical
- Rhyming couplets - Convey anger + frustration
- "Winter seeming summer's night"
- "Endure the short scorn of a bridegroom's play"
- "Sweetness and wit they are, but mummy possess'd"
"Love's Alchemy"
- Tone/meaning?
- Rhyme scheme? Why?
- Metaphor - Love is brief and bleak like winter (Quote)
- Pinnacle symbol of true love sounds painful - Wedding's like a play, glamourizing love (Quote)
- Women are like animated corpses - dead to emotion, will hurt you
Holy Sonnet VI - "This Is My Play's Last Scene"
- Donne is on his deathbed, ready for death - Made his own death mask in advance to remind him
- "This is my play's last scene"
- "My pilgrimage's last mile"
- "Gluttonous death"
- "Unjoint my body and soul"
- "Purged of evil"
- "I leave the world, the flesh, the devil"
- "Impute me righteous"
Holy Sonnet VI - "This Is My Play's Last Scene"
- Context
- 'play' is a metaphor for his life, just a means of entertainment until the afterlife (Quote)
- Metaphor - Donne's final religious journey - To heaven (Quote)
- Imagery - Unpleasant, related to 7 deadly sins (Quote)
- Wants his body + Soul broken - Meet with Christ in heaven (Quote)
- Donne is free of sin (Quote)
- Death has arrived. Flesh - Donne's youthful past. Devil - Free from temptation. (Quote)
- Calvanist reference - Some people are destined to go to heaven - Context (Quote)
Holy Sonnet XI: "Spit In My Face"
- Donne asks to suffer in the same way that Christ suffered. A sense of guilt - Converting to Catholicism. "Crucify me"
- "Spit in my face, you Jews"
- 2nd person
- "For I have sinned and sinned"
- "God clothed himself in vile man's flesh"
Holy Sonnet XI: "Spit In My Face"
- Meaning? + Quote
- Jews were blamed for the death of Christ
- Person?
- Repetition - Emphasises guilt and open admittance
- References to Jesus being a form of God coming down to Earth in the flesh.
Holy Sonnet XVIII: "Since She Whom I Loved"
- A sonnet of a reflection on his spiritual being and relationship with God. Melancholic, sombre, reflective
- "Since she whom I loved"
- "Hath paid her last debt"
- "My God is dead"
- "Her soul early into heaven ravished"
- "My mind is set"
- "Dropsy melts me yet"
- Rhyming triplets
- "Thou dost woo my soul"
- "Thy tender jealousy
Holy Sonnet XVIII: "Since She Whom I Loved"
- Meaning/tone?
- Past tense implies loss (Quote)
- Metaphor - his lover/wife has died, paying something back, body rots - Nutrients for the Earth (Quote)
- The most precious thing to him is now gone, feels like his life's over without her. (Quote)
- Violent, sexual image, she's died and been taken to God before her time (Quote)
- Donne = focused about progressing to heaven, his mind is at ease about his lover being in heaven (Quote)
- Awaiting his death to approach
- Rhyme?
- Unusual courtship/courtship - Loving God in human terms
- Oxymoron - God = Jealous lover
"A Hymn to God the Father"
- Personal + direct response to God. Exasperated tone. Begs for forgiveness, reflection on past. God will forgive anything
- Each stanza is a seperate sin
- "Wilt thou forgive that sin where I begun"
- "Though it were done before"
- Regular rhyming couplets/ triplets + Conversational speech
- "Others to sin"
- "Thou hast not done"
- "My last thread"
- "I shall perish on the shore"
- "Thou hast done, I have no more"
"A Hymn to God the Father"
- Meaning/tone?
- Structure?
- Christian belief in the 'Original Sin' + Desperate plea for forgiveness (Quote)
- A pun on his own name (Quote)
- Rhyme/Rhythm - Personal relationship with God
- Led others into sin (Women? - Colourful youth?) (Quote)
- Repetition - God still doesn't have Donne - More sins to confess (Quote)
- Metaphor - When he eventually passes away. (Quote)
- Metaphor - On the borders of salvation, rather than in heaven where he longs to be (Quote)
- Definite tone of confidence, and security in reconcilliation with God (Quote)
"Hymn to God, My God, In My Sickness"
- Guaranteed a place in heaven, no fear of death, welcomes it, confident, but not arrogant,
- "My God"
-"Since I am coming to that holy room"
- Rhyming couplets - Unobtrusive - Very final, he is prepared for death
- "With thy choir of saints for evermore"
- "I tune the instrument here at the door"
- "I see my west"
- "Give me his other crown"
"Hymn to God, My God, In My Sickness"
- Meaning?
- Personal relationship with God (Quote)
- A metaphor for heaven (Quote)
- Rhyme scheme?
- Positive/comforting image of holy music serenading him in heaven (Quote)
- Metaphor - Ready to face the afterlife, preparing himself for the awe of God's music. (Quote)
- Metaphor - Sun sets in the west, death? (Quote)
- Donne wants to die a death similar to Jesus making his "soul embrace" (Quote)
"Elergy 19: To His Mistress Going To Bed"
- Open account of sex + its pleasures, no sense of reluctance, voice sounds excited, consumed by lust
- Slow rhythm - Waiting for his mistress to finally climb into bed
- "Come madam, come, all rest my powers defy"
- "Is tired with standing though he never fight"
- "Like heaven's zone glistering"
- "Unpin that spangled breastplate", "Unlace yourself for that harmonious chime"
- "That still can be, and still can stand so nigh"
- "Hairy diadem"
- "Love's hallow'd temple"
- "License my roving hands"
- "O my America! My new found land"
-"What needst thou have more covering than a man?"
"Elergy 19: To His Mistress Going To Bed"
- Meaning/Tone?
- Rhythm?
- A plea, reserving his powers for this woman in particular, no one else is worthy (Quote)
- Donne is erect - Wants to move things along more quickly! (Quote)
- Simile/Religious imagery/Hyperbole - She is as beautiful to him as heaven (Quote)
- Wants his lover to undress, believes now is the right time (Quote)
- Her corset is still, but she evokes a 'movement' in him (Quote)
- Sexually explicit! (Quote)
- Metaphor - The bed is divine and sacred
- Asking for her permission (Quote)
- Metaphor - Her body is new discovered land to him - Metaphysical + Contextual (Columbus) (Quote)
- Rhetorical question - persuasive device, only needs him lying on top of her, no clothes (Quote)
Criticisms
- The "Saddest" and most "uncomfortable" of our poets whose verse "exercises the same dreadful fascination that we feel in the grip of the worst kind of bore - The hot eyed, unescapable kind"
- "Archaic faith"
- "Donne envisions God's love for him as a very human love - and an unmistakably ****** love"
- "Some poems see love as above time"
- Love's Alchemy seems "Wholly cynical"
- "Intended to arouse the appetite it describes"
- "Very much aware that he is a sinner who needs the mercy of God"
Criticisms
- C. S. Lewis
- Veronica Chater
- Veronica Chater
- Richard Gill
- Richard Gill
- C. S Lewis criticising Donne's use of ****** language.
- Richard Gill
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