Bach Brandenburg Concerto

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  • Created by: Alice58
  • Created on: 27-02-18 20:02

Bach Facts

German Composer 

Born: March 21st 1685

Died July 28th 1750

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About the set work

Part of a set of pieces (6 Brandenburg Concertos)

It's a fugue 

It's Baroque 

It's a gigue 

1st big important keybord concerto

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Baroque Features

  • Use of Harpsichord 
  • Ornamentation 
    • Trills 
    • Appogiaturas 
    • Acciacaturas 
  • Scalic patterns 
  • Polyphony 
  • Not many dynamics - terraced 
  • No valved brass 
  • Concerto grosso (concertino and ripieno)
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Texture

3 soloists playing call and response. 

Repentitive rhythms with accompaniment underneath. 

Polyphony

Fugue 

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Structure

Starts with subject then goes onto countersubject and answer. 

Fugue 

ABA - Ternery

  • A - Bar 1
  • B - Bar 79 
  • A - Bar 233
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Time Signature

2/4 

(anacrususis at start)

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Tempo

Lively 

Allegro 

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Rhythm

Simple Time - Triplets make it sund like compound time 

  • Dotted rhythms 
  • Syncopation 
  • Up-beat (anacrusis)
  • Triplets (Gigue)
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Instrumentation

Solo Instruments: (concertino)

  • Harpsichord 
  • Solo Violin 
  • Flute 

Accompanimet instruments: (ripieno)

  • Violin 
  • Cello
  • Viola 
  • Double bass
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Use of Harpsichord

Instead of harpsichord being an accompaniment instrument like in 'music for a while' it's a soloist so it has its own part nut it still does some filling in of the gaps - obbligato.

No dynamic markings 

Figured bass - system of numbers to notate chords

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Tonality

D Major 

Bars 14-18 are in A Major (dominant)

Bar 79 - B Minor (relative minor)

Regular, expected key changes 

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Melody

A 2 bar melody/rhythm in the tonic key (then moves to dominant).

Fugal 

Conjunct movement 

Imitation 

Sequences 

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Harmony

The 2 bar melody/rhythm repeated in the dominant key.

Suspensions 

Bar 79 tonic pedal in B minor 

Perfect cadences

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Glossary

Anaccusis = Upbeat 

Gigue = lively duple dance 

Obbligato = essential and interesting part of the accompaniment

Pedal = Long held note or repeated bass note 

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