Rhythm and metre
- Created by: Harriet
- Created on: 04-04-14 17:31
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- Rhythm and metre
- Sweelinck Pavana Lachrimae
- 'First sections' A, B and C use semibreves, minims and crotchets
- 'Second Sections' A', B' and C' (variations) more semiquavers and quavers -'quick' rhythms.
- Schumann
- No. 1
- Tripletted Rhythms
- Featured dotted rhythm in melody line.
- Use of Rits and Ralls
- No. 3
- semiquavers continuous
- Other than crotchet at beginning of each phrase (represent child pausing and running in different direction)
- semiquavers continuous
- No. 11
- Dotted Rhythms
- Each section has own characteristic rhythms e.g. B double semiquavers whereas C has groups of 4 semiquavers.
- Use of offbeats in accompaniment
- Dotted Rhythms
- No. 1
- Debussy
- Simple triple time - typical sarabande along with 2nd beat emphasis.
- continuous quaver chords , use of triplet quavers and quaver-two-semiquavers pattern
- Beethoven
- Slow Triple intoduction
- 1st theme has anacrusis 3 quavers followed by minim.
- some continuous triplet rhythms eg bar 76-79 and bar 211-214
- Use of anacrusis
- Syncopation eg bar 45-6
- Bach
- triple time signature - 3/8
- Violin starts on 2nd semiquaver after 5 note anacrusis.
- Closing theme = double hemiola eg bar 79-83
- Syncopation eg bar 43-46 in flute
- Sweelinck Pavana Lachrimae
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