Romance/ love in ARWAV, She walks in beauty and sonnet 116
- Created by: Ikramul haque
- Created on: 14-02-17 17:35
View mindmap
- Authors presentation of romance/love
- A Room with a View
- A battle between accepted ideas and expectations Edwardian's had against being truthful, passionate and beautiful
- Emerson's described as "ill bred outsiders"
- Suggests poor upbringing despite only just being introduced.
- Mirrors how Edwardian's would form opinions quickly
- Could link to how Forster feared people would percieve him due to his homosexuality
- Mirrors how Edwardian's would form opinions quickly
- Lucy "bows nervously"
- She likes them, not ready to show it though
- Head vs heart
- She likes them, not ready to show it though
- Beautiful not delicate
- George kisses Lucy
- Lucy's "view was forming"
- "Light and beauty enveloped her"
- Miss Bartlett "stood brown against the view"
- A battle between accepted ideas and expectations Edwardian's had against being truthful, passionate and beautiful
- Emerson's described as "ill bred outsiders"
- Suggests poor upbringing despite only just being introduced.
- Mirrors how Edwardian's would form opinions quickly
- Could link to how Forster feared people would percieve him due to his homosexuality
- Mirrors how Edwardian's would form opinions quickly
- Lucy "bows nervously"
- She likes them, not ready to show it though
- Head vs heart
- She likes them, not ready to show it though
- Beautiful not delicate
- George kisses Lucy
- Lucy's "view was forming"
- "Light and beauty enveloped her"
- Miss Bartlett "stood brown against the view"
- Lucy's "view was forming"
- George kisses Lucy
- Like Italians, "born knowing the way" as a 'chessboard'
- Free will
- Suggests poor upbringing despite only just being introduced.
- Emerson's described as "ill bred outsiders"
- A battle between accepted ideas and expectations Edwardian's had against being truthful, passionate and beautiful
- Lucy's "view was forming"
- George kisses Lucy
- Like Italians, "born knowing the way" as a 'chessboard'
- Free will
- Suggests poor upbringing despite only just being introduced.
- Emerson's described as "ill bred outsiders"
- A battle between accepted ideas and expectations Edwardian's had against being truthful, passionate and beautiful
- Sonnet 116
- Repetition of words like 'love' reiterate that love is unchanging
- "his highth be taken"
- Personifies love as male
- "But beares it out even to the edge of doome:
- Like Mr Emerson in 'View', narrator believes love is eternal.
- "If this be error and upon me proved, i never writ nor no man everloved
- Rhyming couplet symbolic of the couple, they'll be together in the end.
- Impossible for no man to ever love
- "I never writ", he's just written this, once again reiterating his point
- Rhyming couplet symbolic of the couple, they'll be together in the end.
- Impossible for no man to ever love
- "his highth be taken"
- "wandring barke"
- Semantic field of adventure
- "Compasse come"
- Represents love as a journey
- Similar to the journey Lucy and George take in order to overcome their barriers
- Semantic field of adventure
- "Compasse come"
- Repetition of words like 'love' reiterate that love is unchanging
- She Walks in Beauty
- "like the night"
- She's unique, mysterious, link to dark instead of light reiterates how different she is
- "days spent in goodness"
- Actively good natured
- "A mind at peace with all below, A heart whose love is innocent
- She's a goddess
- Chaste love, she's idealised spiritually as well as physically
- "A mind at peace with all below, A heart whose love is innocent
- Actively good natured
- "days spent in goodness"
- She's unique, mysterious, link to dark instead of light reiterates how different she is
- "All that's best of dark and bright"
- Beauty lies within balance, mirrors modern belief that a symmetrical face is the most beautiful
- "One shade the more, one ray the less, Had half impaired the nameless grace"
- Balance reflects her beauty, any change would spoil it.
- Beauty lies within balance, mirrors modern belief that a symmetrical face is the most beautiful
- "One shade the more, one ray the less, Had half impaired the nameless grace"
- Balance reflects her beauty, any change would spoil it.
- Her grace can't be defined
- She's unique, mysterious, link to dark instead of light reiterates how different she is
- "days spent in goodness"
- Actively good natured
- "A mind at peace with all below, A heart whose love is innocent
- She's a goddess
- Chaste love, she's idealised spiritually as well as physically
- "A mind at peace with all below, A heart whose love is innocent
- Actively good natured
- "days spent in goodness"
- She's unique, mysterious, link to dark instead of light reiterates how different she is
- Balance reflects her beauty, any change would spoil it.
- "One shade the more, one ray the less, Had half impaired the nameless grace"
- Beauty lies within balance, mirrors modern belief that a symmetrical face is the most beautiful
- Her grace can't be defined
- Balance reflects her beauty, any change would spoil it.
- "One shade the more, one ray the less, Had half impaired the nameless grace"
- Beauty lies within balance, mirrors modern belief that a symmetrical face is the most beautiful
- Regularity of the poem reinforces idea that she's perfect
- "like the night"
- A Room with a View
Comments
No comments have yet been made