'Symphonie Fantastique - Berlioz' Bar Numbers of Key Parts 0.0 / 5 ? MusicHistorical and Analytical Studies of MusicA2/A-levelOCR Created by: DeanRogers10Created on: 13-06-17 20:18 V. Chromatic descent in violins (H+T) b3 1 of 16 V. Octave chromatic scale descent the ascent (H+T) b72 2 of 16 I. Chromatic sequential phrase for 'sighs' (H+T) b86^4 3 of 16 IV. Diatonic harmony examples (H+T) b60 tromb III tonic pedal and b62 ophicleide pivots modulation on tonic 4 of 16 V. 13 consecutive diminished 7th chords (H+T) b399 5 of 16 IV. Abrupt modulation to Db major from G minor (H+T) b130 6 of 16 V. 12 Tone Serialist technique (how many bars for?) (H+T) b460 for 7 bars fitting in every note on clarinet 7 of 16 I. First IF and key (H+T) b72 and C major 8 of 16 I. What occurs in phrases before first IF (H+T) Generally imperfect cadences (finish on dominant) showing uncertainty 9 of 16 I. Enharmonic Juxtapositions (and chords) (H+T) b46 and Ab-E^7/G#-G#M-G#^dim7 10 of 16 I. Series of first inversion chords in chromatic surges (H+T) b198 11 of 16 I. Final cadence and why? (H+T) Plagal for religious consolations 12 of 16 IV. Interval of timpani, where and what notes? (H+T) Minor 3rd, b1 and G and Bb 13 of 16 IV. Place and significance of theme (H+T) b18 G melodic minor descending scale repeated 3 times harmonised in thirds with violins second time 14 of 16 IV.First 3 bars of theme chromatic ascending sequence (H+T) b115 15 of 16 IV. How does it finish? (H+T) Triumphant major chords foreshadowed by retuning of timps from Bb to B 16 of 16
To what extent was Berlioz Symphony Fantastique part of a continuing symphonic tradition and in what ways was it breaking a new ground? 0.0 / 5
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