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More cards in this set
Card 26
Front
Why was egg tempura time consuming?
Back
Card 27
Front
Why does the painting have little tonal gradation?
Back
Card 28
Front
How were the gradations achieved?
Back
Card 29
Front
What do the tonal gradations also reflect?
Back
Card 30
Front
What is made near impossible by not having the painterly flexibility of watercolours or oil?
Back
Card 31
Front
What is the under painting called?
Back
Card 32
Front
Why is the skin green?
Back
Card 33
Front
What was used to thinly superimpose flesh colours?
Back
Card 34
Front
Why was green and red used to make the flesh tint?
Back
Card 35
Front
What pigment broke down to reveal the green underpainting?
Back
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