6. How was Emile Zola able to escape the negativism and lack of prestige in commercial success in his mass novel sales?
he became a 'social prophet' so 'vulgar' was turned into 'popular'
he became a 'militant devotee' so political pressure ensured his success
he became a 'social prophet' so was guaranteeting prestigious status
he became a 'militant devotee' so his vulgarity could be passed off as skill
7. This marks the 'progress of the literary field towards ......'?
autonomy
dominance
governance
8. What are the three aspects of exploring a genre as an 'economic enterprise'?
cost of product, quantity and quality of consumers and time and guarantee of profit
cost of materials, quantity and quality of consumers and time and guarantee of profit
cost of product, level of distribution and amount of profit made
cost of materials, level of distribution and amount of profit made
9. How does Bourdieu describe the 'hierarchy according to commercial profit'?
'simple, and relatively dominant, despite conjunctural subordinance'
'simple, and relatively constant, despite conjunctural fluctuations'
'simple, and relatively changeable, despite conjunctural stability'
10. What does Bourdieu call the supposedly inherent and natural gift of the method of looking at art?
'pure gaze'
'pure glance'
'pure vision'
'pure sight'
11. 'Although it appears to itself like a gift of nature, the eye of the nineteenth-century art lover is the product of ..........'
history
society
culture
ethnicity
12. Which angle focusses on artists creating art for art's purpose and about the field of art's autonomy in its own 'goals'?
phylogenesis
ontogenesis
13. How does Bourdieu descrive poetry's popularity?
'almost entirely devoid of a market'
'almost totally devoid of a market'
'almost totally removed of a market'
'almost entirely deprived of a market'
14. What is the inverse of the 'economic profit' of genres as they become more 'distinct'?
system profit
symbolic profit
social profit
prestige profit
15. The hierarchy within a genre is determined by the 'social hierarchy of the respected audiences'. What does this mean?
texts and authors actually become more prestigious if they are read by mass, low-quality audiences
texts and authors actually become less prestigious if they are read by mass, low-quality audiences
texts and authors actually become less prestigious if they are read by niche, high-quality audiences
texts and authors actually become more prestigious if they are read by niche, high-quality audiences
16. 'the value of the credit of recognition ensured by consumption decreases when the specific competence recognised in the ................ decreases'
