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6. "Flag-bearer for new British film-making"
- Sight & Sound 2002
- Chris Darke, Vertigo
- Bec Smith, Inside Film
- Laura Bushell, BBC Movies
- Jonathan Romney, Independent
- Eileen Elsey, Vertigo
- Matthew Turner, The ViewLondon Review
7. "Her individualised virtual reality"
- Peter Bradshaw, Guardian
- Bec Smith, Inside Film
- Sight & Sound 2002
- Elvis Mitchell, New York Times
- Eileen Elsey, Vertigo
- Chris Darke, Vertigo
- Laura Bushell, BBC Movies
8. "I enjoy playing with the structure", "taking risks with the form"
- Ramsay, Eileen Elsey, Vertigo
- Ramsay, Laura Bushell, BBC Movies
- Ramsay, Chris Darke, Vertigo
- Ramsay, Graham Rae, American Cinematographer
- Ramsay, Bec Smith, Inside Film
- Ramsay, Sight & Sound 2002
- Ramsay, Peter Bradshaw, Guardian
9. "Out of key with the usual depictions of youth-culture hedonism"
- Bec Smith, Inside Film
- Eileen Elsey, Vertigo
- Jonathan Romney, Independent
- Laura Bushell, BBC Movies
- Chris Darke, Vertigo
- Peter Bradshaw, Guardian
- Sight & Sound 2002
10. "Charting of moods" over plot/narrative
- Peter Bradshaw, Guardian
- Elvis Mitchell, New York Times
- Eileen Elsey, Vertigo
- Graham Rae, American Cinematographer
- Matthew Turner, The ViewLondon Review
- Jonathan Romney, Independent
- Sight & Sound 2002
11. "Beautifully fragmented tale" with a "visual and melodic haunt"
- Peter Bradshaw, Guardian
- Graham Rae, American Cinematographer
- Laura Bushell, BBC Movies
- Bec Smith, Inside Film
- Eileen Elsey, Vertigo
- Elvis Mitchell, New York Times
- Chris Darke, Vertigo
12. "life of hedonism and ambiguous freedom"
- Eileen Elsey, Vertigo
- Peter Bradshaw, Guardian
- Laura Bushell, BBC Movies
- Jonathan Romney, Independent
- Matthew Turner, The ViewLondon Review
- Chris Darke, Vertigo
- Sight & Sound 2002
13. "Surrealism can be uncovered at the heart of realist storytelling"
- Graham Rae, American Cinematographer
- Sight & Sound 2002
- Jonathan Romney, Independent
- Eileen Elsey, Vertigo
- Elvis Mitchell, New York Times
- Matthew Turner, The ViewLondon Review
- Chris Darke, Vertigo
14. "Is Morvern Callar a vulnerable innocent, or a cold, amoral opportunist?"
- Peter Bradshaw, Guardian
- Matthew Turner, The ViewLondon Review
- Jonathan Romney, Independent
- Sight & Sound 2002
- Chris Darke, Vertigo
- Elvis Mitchell, New York Times
- Graham Rae, American Cinematographer
15. She doesn't know why she does it, it's almost existentialist"
- Ramsay, Peter Bradshaw, Guardian
- Ramsay, Matthew Turner, The ViewLondon Review
- Ramsay, Chris Darke, Vertigo
- Ramsay, Bec Smith, Inside Film
- Ramsay, Sight & Sound 2002
- Ramsay, Jonathan Romney, Independent
- Ramsay, Eileen Elsey, Vertigo
16. "If she transgresses, it's theft, not murder"
- Bec Smith, Inside Film
- Sight & Sound 2002
- Graham Rae, American Cinematographer
- Peter Bradshaw, Guardian
- Elvis Mitchell, New York Times
- Eileen Elsey, Vertigo
- Chris Darke, Vertigo
17. "There are no traditional turning points, character motivations, or outcomes"
- Bec Smith, Inside Film
- Elvis Mitchell, New York Times
- Laura Bushell, BBC Movies
- Peter Bradshaw, Guardian
- Matthew Turner, The ViewLondon Review
- Eileen Elsey, Vertigo
- Jonathan Romney, Independent
18. "Inhabit the moment rather than chase the narrative structure", "conventional...active protagonist, escalating action and sense of closure"
- Elvis Mitchell, New York Times
- Bec Smith, Inside Film
- Graham Rae, American Cinematographer
- Matthew Turner, The ViewLondon Review
- Eileen Elsey, Vertigo
- Sight & Sound 2002
- Peter Bradshaw, Guardian
19. "None of her actions are easily explicable"
- Eileen Elsey, Vertigo
- Matthew Turner, The ViewLondon Review
- Sight & Sound 2002
- Chris Darke, Vertigo
- Jonathan Romney, Independent
- Bec Smith, Inside Film
- Laura Bushell, BBC Movies
20. "Sharing her solipsism while never knowing what drives it"
- Sight & Sound 2002
- Elvis Mitchell, New York Times
- Bec Smith, Inside Film
- Peter Bradshaw, Guardian
- Laura Bushell, BBC Movies
- Chris Darke, Vertigo
- Jonathan Romney, Independent
