Frank O'Hara - Typicalities & Features
- Created by: emmythenotsogreat2014
- Created on: 03-01-14 23:19
C | O | M | P | L | E | X | I | T | Y | S | I | M | P | L | I | C | I | T | Y | E |
J | E | V | F | I | U | K | Y | Q | W | V | Q | X | K | I | D | M | B | H | O | Q |
M | A | R | K | S | H | I | S | T | O | R | I | C | A | L | T | I | M | E | P | G |
N | I | J | U | P | E | R | S | O | N | A | L | G | L | O | B | A | L | O | L | L |
P | O | D | B | L | Y | H | G | B | Q | X | O | O | V | G | G | L | B | L | T | I |
I | N | E | F | A | F | K | V | D | S | R | D | S | S | N | W | P | D | Q | F | T |
L | W | G | L | L | I | B | R | R | A | U | P | E | K | H | G | B | D | T | N | Q |
B | M | B | R | A | M | P | A | N | T | M | E | T | O | N | Y | M | Y | P | F | U |
M | F | B | Q | P | A | C | T | I | O | N | P | A | I | N | T | I | N | G | M | Q |
V | F | J | A | M | E | R | I | C | A | N | C | A | N | O | N | O | Y | J | D | W |
X | R | E | D | U | C | E | S | D | I | S | T | A | N | C | E | L | U | E | M | M |
Q | D | C | T | I | O | B | W | J | I | N | I | D | L | C | U | V | N | R | O | E |
H | D | A | W | B | O | T | H | O | F | I | T | S | C | O | N | T | E | X | T | X |
F | T | H | E | F | I | C | T | I | O | N | A | L | I | N | D | I | C | E | S | L |
R | H | Y | P | E | R | T | E | X | T | U | A | L | I | T | Y | N | O | K | E | C |
P | X | K | A | M | D | I | P | V | Q | K | S | O | P | V | V | N | G | C | F | T |
K | P | W | J | T | B | N | F | O | R | Y | T | N | V | Y | J | C | L | U | T | O |
I | C | U | S | V | F | B | A | S | N | J | D | H | F | N | O | I | Q | P | T | U |
I | I | K | T | X | G | E | A | P | O | V | W | E | H | G | B | L | M | X | D | C |
X | U | E | B | P | P | F | H | N | O | D | A | G | X | G | W | F | P | M | Y | W |
S | S | N | D | V | L | F | V | Q | I | V | Y | X | C | M | Q | M | Y | L | I | E |
Clues
- A linkage between the personal and the global (8, 6)
- And a maker of it (4, 2, 3, 7)
- As contemporary (5, 10, 4)
- Between art & life by bringing real life events and people into his poems (7, 8)
- Hypertextuality (15)
- Of emotion (20)
- Of here and now (3, 9, 7)
- Rampant Metonymy (7, 8)
- Starting to become part of the American canon (8, 5)
- The poem seen as object (6, 8)
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