Frank O'Hara - Gay & Oppressed Groups
- Created by: emmythenotsogreat2014
- Created on: 03-01-14 23:36
C | W | J | Q | E | A | C | E | C | O | A | I | T | O | U | D | D | A | O | F | Y |
R | D | J | U | E | X | T | E | R | N | A | L | V | I | O | L | E | N | C | E | F |
I | J | Q | P | O | W | A | Q | E | F | W | U | K | N | L | S | I | L | T | T | U |
H | P | U | G | I | R | V | X | W | B | Q | F | C | P | G | G | I | I | Q | U | D |
P | M | P | I | N | V | J | I | C | C | F | O | E | C | R | C | A | R | E | V | U |
A | D | O | M | J | M | O | V | G | C | T | L | T | O | J | M | P | S | V | W | M |
T | X | E | G | Y | J | L | C | G | A | G | P | R | D | B | G | N | D | O | H | M |
Y | G | I | D | F | O | H | L | V | A | J | H | L | E | O | A | C | Q | L | Y | R |
D | M | I | K | V | K | C | C | E | M | G | P | S | D | S | E | T | F | Y | N | Q |
Q | L | F | N | M | K | I | N | N | L | P | F | E | L | C | C | S | E | A | D | E |
V | C | S | T | L | U | Y | J | D | C | E | Q | K | A | A | I | B | D | G | B | E |
Y | I | V | L | M | D | E | T | L | A | N | X | U | N | R | E | V | N | N | W | A |
S | J | B | K | T | V | O | X | E | G | T | G | H | G | W | T | H | K | O | O | P |
J | I | S | X | N | X | O | Y | R | Q | H | F | Y | U | I | G | E | T | L | W | W |
B | F | S | L | Y | E | J | C | B | B | L | Q | T | A | L | O | P | C | E | J | I |
H | S | U | X | S | H | X | T | U | E | H | C | X | G | D | X | K | R | K | B | U |
A | L | P | R | G | A | A | O | K | W | L | B | R | E | E | R | E | P | I | C | Y |
L | B | G | R | A | N | F | I | L | G | O | G | R | G | Y | O | H | K | K | L | U |
N | N | E | B | S | A | K | F | C | O | C | E | L | V | S | N | S | G | A | O | J |
N | O | R | Y | X | A | U | F | E | L | D | N | B | G | K | B | X | M | G | X | U |
D | P | B | B | R | F | F | E | A | R | K | H | J | M | C | H | D | J | D | H | K |
Clues
- A lack of syntax refuses both maleness and ideology (7)
- Becomes internalised by oppressed groups (8, 8)
- Characteristic of his poems are outgrowths of an accepted gay love (5)
- O'Hara's interest in the moment is characteristic of the nature of gay love in general (5, 2, 3, 4)
- Perversion is employed as a way of debunking ethical basis of society which privileges heterosexuality and high art (5, 5)
- The language of an oppressed group becomes coded, expressed only in deformed fashion (5, 8)
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