political and legal events/changes that may have impacted upon the work.
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Card 7
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Theatre which relies on the performers' physical motion rather than, or combined with, text to convey storytelling and character emotions
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Card 8
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Documented theatre in which plays are constructed from the precise words spoken by people interviewed about a particular event or topic.
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Card 9
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Theatre that attempts to create an illusion of reality through a range of dramatic and theatrical strategies.
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Card 10
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the distinctive way in which the practitioner stages the work, i.e., how their ideas are shown/expressed on stage;
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Card 11
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the application of the practitioner's ideas, as opposed to their theories (this may be their rehearsal practice and specifically how they approach rehearsing with actors, or it may be more about their practice when staging work;
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Card 12
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the purpose of their work, i.e., what they are trying to achieve and make the audience think/feel. We often try to consider a practitioner’s creative intentions. These are often communicated through the themes/issues in the work
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Card 13
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A stock of plays that a performer or company knows or has written.
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Card 14
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: A play or other theatrical work that has been brought to life on stage (produced) by a director and company of actors
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Card 15
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The individual sharing of a theatrical production on one specific occasion.
