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2. How are the chords related?

  • relative major/minors
  • Parallelism
  • circle of fifths

3. What happens to the tonality in bars 9-14?

  • D sharp replaces D natural
  • F sharps are avoided
  • A sharp replaces A natural
  • C natural replaces C sharp

4. What type of triads does Debussy avoid?

  • Augmented
  • Dominant
  • Inverted
  • Minor

5. why do bars 29-30 stand out?

  • phrase rises in sequence
  • dynamic rises to MF
  • 7 note chords
  • dotted rhythms
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