Yiri

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Rhythm

  • There is use of cross-rhythms between the balafon parts
  • Mainly semiquavers and quavers
  • Use of syncopation
  • Use of triplets
  • Rhythmic ostinati
  • Polyrhythmic texture
  • The Intro is in free-time
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Instrumentation

  • Balafons - use of tremolo
  • Large and small talking drums (donnos)
  • Djembe- played by master drummer
  • Vocals- solo voice + choir
  • Use of a cowbell
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Structure

  • Alternates between choral/singular voice part and balafon solo
  • Starts with an intro in free time
  • Ends with a balafon solo- which is characterised by rests in the melody line
  • Cyclic structure
  • Examples of call and response in the choir and vocal lines and in the balafon parts
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Melody and Vocal Parts

  • Based on a pentatonic scale
  • Call and response between the choir and the solo voice
  • Repeated notes
  • Melody is played by both the balafon and the voice
  • Improvised quality
  • In G flat major
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Texture

  • Overall polyphonic texture
  • The piece begins monophonic
  • There are examples of heterophany
  • The texture thickens as more instruments/voices enter
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