Neo-Platonic poems such as 'The Good Morrow', 'The Sun Rising', and 'The Anniversary' all present love as unassuming, pure, and healing. Most interestingly, Donne's persona is not blinded by the gender stereotypes of his time, where female and male protocols affected courtly love. The lovers in these poems are not bound by their sexual or physical attributes, in fact Donne takes an adrogynous tone of voice. Both female and male are "kings", equal and "thoroughly blest". This was a revolutionary attitude to love, where the spiritual took over the physical. Alternatively, one could argue that the persona is prudent on issues such as sex because of his fear of female power. This is evident in 'Going to Bed', where the speaker exalts the beauty of his mistress's body, "O my America!", but ends up resenting her power over him.
In 'The School for Scandal', love can also be healing. Maria and Charles's love, despite her fortune and his "rogue" reputation, is constant and pure. "Ah, can I leave this virtuous path those eyes illumine?" Like the neo-platonism of Donne's poetry, there is an absense of sex and the physical, replaced by the moral and spiritual.
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