"Tigers, not daughters" This play reflects a patriarchal world view that seems terrified of women and what they represent. (Weston). Evaluate the presentation of women in King Lear.
- Created by: kateandrews
- Created on: 14-03-15 13:19
View mindmap
- "Tigers, not daughters" This play reflects a patriarchal world view that seems terrified of women and what they represent. (Weston). Evaluate the presentation of women in King Lear.
- Coppelia Kahn: women [are] primarily responsible for the rearing as well as the bearing of children
- In the Patriarchal Jacobean era, women's value came from having children. They had no role in the public sphere
- When Lear curses Goneril to be barren (2.4), she becomes more dangerous, as her value in the eyes of the Patriachy has been removed.
- G. Wilson Knight: "by cursing Goneril, Lear curses himself"
- "a
disease...a
boil, a plague sore, or embossed carbuncle
In my
corrupted blood"
- These symptoms are those of many illnesses, but have been noted to be the unfortunate consequences of sexual promiscuity.
- If she is cursed to be barren, her sexuality will become one of pleasure rather than reproductive function, making her uncontrolled by the patriarchy.
- These symptoms are those of many illnesses, but have been noted to be the unfortunate consequences of sexual promiscuity.
- If she is cursed to be barren, her sexuality will become one of pleasure rather than reproductive function, making her uncontrolled by the patriarchy.
- When Cordelia refuses Lear's demands (1.1) she becomes a non-entity. "When she was dear to us, we did hold her so, / But now her price is fallen"
- Capitalism forces one to sell labour in order to subsit. Her labour as a daughter would be love.
- Once she marries - and is can be assumed to be no longer a virgin - she is reinstated within the imagery of transaction. (4.3)
- Her new-found sexuality gives her rebirth as a warrior and a powerful and dangerous contender over the ownership of the land.
- 1950s production directed by John Gielgud and Anthony Quayle: Cordelia with a breastplate and sword and marches alone as a powerful queen of France.
-
A woman’s virginity was often referred to as a ‘jewel’ as was seen as
a prized possession. Contextually, Shakespeare’s audience would’ve been aware
of this.
- "[tears] as pearls from diamonds dropped"
- "[tears] as pearls from diamonds dropped"
- Her new-found sexuality gives her rebirth as a warrior and a powerful and dangerous contender over the ownership of the land.
- Transactional imagery. 3rd person pronouns create distance and releases her from her name and ownership.
- When Lear curses Goneril to be barren (2.4), she becomes more dangerous, as her value in the eyes of the Patriachy has been removed.
- In the Patriarchal Jacobean era, women's value came from having children. They had no role in the public sphere
- Animal imagery in regards to women shows the fear of men at female sexuality.
- Mckluskie: The play shows women to be the source of primal lust and forces the audience to believe that women in power create a chaotic world
- Goneril and Regan are destroyed in the end by their sexuality rivalry and animal instincts.
- In the Jacobean era, women were meant to be subservient and obedient to men.
- A strong Protestant Christian context: following the perspective teachings of the bible: "Wives, submit to your husbands" Colossians 3:18
- "like a vulture"
- "detested kite"
- "pelican daughters"
- Mckluskie: The play shows women to be the source of primal lust and forces the audience to believe that women in power create a chaotic world
- Coppelia Kahn: women [are] primarily responsible for the rearing as well as the bearing of children
Comments
No comments have yet been made