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- Created by: Harriet
- Created on: 01-04-14 11:03
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- Beethoven Septet
- bar 1 homophonic chords
- bar 2 solo violin = monophonic
- Mainly melody dominated homophony
- Homorhythm e.g. bars 50-53 and bars 86-97
- Octaves in clarinet and bassoon (b128) and 6ths (b140) and start of development)
- Pedal notes add stability to texture.
- Schumann Kinderscenen
- No.1
- In section A = 3 textral layers - upper melody, inner quaver triplets and independant Bass line.
- B section (b9-14) Melody in Thirds with Bass countermelody
- No.3
- Right Hand melody with 'stride bass' accompaniment in Bass
- Except Open 5th double pedal bar 13-15 and sustained chord with inner ascending scale bar 15.
- Right Hand melody with 'stride bass' accompaniment in Bass
- No. 11
- Opening = 3 part counterpoint
- By bar 4 independant parts have emerged
- B section - Bass melody off beat chords accompaniment above.
- C section - 3 contrasting elements - semiquavers in 6ths, single bass notes and full 5 part chords
- Bar 25-28 - Melody dominated homophony with 'stride like' accompaniment.
- No.1
- Debussy Sarabande
- Homorhythm/ Chordal writing (eg bar 1)
- Use of 'Parallelism' eg bar 1 (except bass 3rd note of A)
- Some Melody Dominated homophony eg bar 9-12 and bar 42-45
- Some 6 note chords (beginning), some 4 note chords (b11-12) and some 8 note (b35-41)
- 3 short octave passages provide contrast eg b5-6, b20-22, b66.
- Homorhythm/ Chordal writing (eg bar 1)
- Sweelinck Pavana Lachrimae
- Mostly in 4 parts similar to 4 part vaocal writing
- essentially homophonic
- Use of Imitation e.g. bar 42-45
- Voice Leading - the top line running seamlessly into the bass and back again e.g.bar 17-19
- Bar 39-41 - Run in parallel 3rds or 6ths in paired parts
- Bach Concerto no. 4 in G major
- Textural Contrast between the soloist/ solo group and ripieno
- Homophony vs. Counterpoint
- E.G Bars 1-83
- Bar 1-12 = Melody dominated homophony, Bar 13-19 typical continuo homophony, bar 35-42 = counterpoint
- E.G Bars 1-83
- Anitohony between Violin andflutes in closing theme
- Parallel 3rds and 6ths e.g. flutes bar 35-42 or violin and bass bars 20-22
- Beethoven Septet
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