Swan Lake
- Created by: Beth_1998
- Created on: 19-12-15 23:08
View mindmap
- Swan Lake
- Costume
- Lez Brotherson
- Black paint on hair to form a beak.
- White body paint to create ethereal feel.
- Bare arms showing off masculinity and clumsy flapping of the wings.
- Top half is strong, bottom half is flowing showing swans nature.
- Bare chest, lower leg and feet to show strength and power.
- Magical.
- Ghost like - nightmare at the beginning.
- Choreograph Style
- Use of Social Dance forms such as Ballroom and Jive.
- Palace Scene.
- Servants hold rope and have small movements.
- Partners in Ballroom.
- Tends to have couples dancing together showing affection between partners.
- Queen and Servants.
- Uses images from popular culture.
- Queens Hair - Frankenstein Bride.
- Ballet Vocabulary
- Couru
- Port de Bras
- Pas de Chat
- Chasse pas de Bourre
- Pose
- Mime and Pedestrian Movement
- Waving
- Pointing
- Fainting Gesture
- Patting
- Stop Gesture
- Salute
- Motif Development
- Accumulative Canon
- Unison
- Repetition
- Call and Response
- Mirroring
- Matthew Bounre
- Use of Social Dance forms such as Ballroom and Jive.
- Lighting
- Colours to Highlight Characters
- An Opera House - Troll enters and lighting goes green
- Rick Fisher
- Colours to Highlight Characters
- Performance
- 1995
- 9th November
- Saddler Wells Theatre, London
- Characters
- The Prince
- The Queen
- The Swan
- The Stranger
- Key Themes
- Royalty
- Choreographed in the height of the media interest in the Prince and Princess of Wales.
- The Swan represents the freedom The Prince craves but can't have because of his responsibilities.
- Royalty compared to Celebrity and the struggles.
- Swans
- Bourne read about Swans, studied images and visited swannery's before choreographing.
- Aggressive Birds capable of much harm.
- Uses male swans instead of female, addresses issues of homosexuality discreetly.
- Reference to other Ballets
- Influences from the original Swan Lake (Peptipa and Ivanov).
- Original Movements
- Upper body leaning forwards with arms behind back.
- Port de Bras.
- Head Twitching to the side.
- Spatial Positioning
- Serpentine Pathways.
- Use of Mirroring - One half of stage against the other.
- Alternate lines crossing the stage performing the same movement.
- The Royal Family watch the Ballet
- Backdrop = 'Giselle" 1841
- Mime resembles Seeping Beauty.
- Reference to Films
- Queens Wig - Frankenstein's Bride
- Relationship between The Prince and his mother - 'Mayerling' Ballet
- Act II the swans move to form a clock - 'The Birds'
- Royalty
- Costume
- The Prince
- White long sleved Pj Bottoms with oversized crown.
- Wealth
- Over the Top
- Controlled by Royalness
- Long black boots, white trousers, militarty lack top with gold shoulder pads and buttons.
- Importance
- Power
- Forced
- White long sleved Pj Bottoms with oversized crown.
- The Queem
- Silk white, floor length nightie.
- Money
- Importance
- More Mature
- Older
- Lilac long, modest dress, white silk gloves, matching shoes, pearls, silver streak in hair
- Classy
- Clean
- Purity
- Silk white, floor length nightie.
- The Prince
- Tchiachovsky
- Costume
Comments
No comments have yet been made